叶问三

Special FeaturesAudio Commentaries on Each FilmAll-New Three-Part Documentary, Sleepless Nights: Revisiting The Slumber Party MassacresPhoto and Poster Still GalleryTheatrical TrailersEditorial ReviewsAll Three Films In One Collection With New Bonus FeaturesWhen Trish (Michelle Michaels) decides to invite her high school girls basketball teammates over for a slumber party, she has no idea the night will be ruined by an escaped mental patient with a portable drill in the cult classic The Slumber Party Massacre.The only sane survivor of the first incident, Courtney (Crystal Bernard), dreams of the driller killer returning in the first sequel, Slumber Party Massacre II. She cannot help shake the feeling that she and her friends will be viciously tormented by the killer. Her nightmare becomes reality when the killer returns, reincarnated as an evil rocker with a deadly guitar.After a relaxing day at the beach, a group of teens decide to have a slumber party. Their boyfriends predictably show up to scare them, but there is something much scarier lurking in the shadows as the group starts getting attacked by an unknown killer in the second, and last, installment, Slumber Party Massacre III.

本多猪四郎監督１９６３年／９４分／カラー／３５ミリ／東宝出演：高島忠夫、小林哲子、田崎潤世界征服を狙うムウ帝国の野望を阻むべく、旧日本海軍が極秘に建造を進めていた海底軍艦が水中・空中・地中を進む。海底軍艦はムウ帝国の守護神マンダをうち破り遂に心臓部に到達する！壊滅したムウ帝国の女王の行動も感動的で何度見ても見飽きない不滅のＳＦ映画。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

改编自第152届直木奖的获奖作家西加奈子于2005年出版的畅销书。 讲述了一家人在绝望中寻求希望，以及对他们不离不弃的爱犬•樱的故事。平凡的二儿子（北村匠海），帅气逼人的长子（吉沢亮）和对长子有奇怪爱意的美貌妹妹（小松菜奈）, 虽然有些奇怪但是幸福的家庭。随着一家人的长兄遭遇车祸，各自的命运发生了翻天覆地的变化……