Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

贺盈（余安安 饰）是含着金汤匙出生的千金大小姐，为了得到一份隐藏了重大商业机密的录音带，贺盈找到了名为罗力（狄龙 饰）的男子，花重金雇佣他前往柬埔寨，寻找录音带的所有者乃文（高飞 饰）。这将注定是一场充满了危险的旅途，因为乃文并非普通人，而是一名经验丰富阴险狡猾的杀手。为了任务能够万无一失的完成，罗力找到了好友阮南星（陈惠敏 饰）、雷泰（罗烈 饰）和白兰氏（陈百祥 饰）等人，一行人组成了敢死队小组奔赴柬埔寨。经过了重重的波折，罗力出色的完成了任务，甚至生擒了乃文，将他交给了贺盈。可是直到此时，罗力才发现，自己已经陷入了一个巨大的阴谋之中。

来自西卡利耶拉的女钢琴师.利用亲善义演机会来日本委托城市猎人猎鹰寻找亲生父亲。却意外地卷入一项可怕的情报战当中，却也因此遇上她一心想找到的父亲，没想到父亲就是地方的情报员，然而她最想知道的是父亲当年离开母亲的原因，最后阿獠及阿香给了她及父亲想要的答案.......

凯文·哈特在他舒适的家中为观众带来欢笑和砖炉披萨，一起畅谈男性群聊、40岁后的性生活以及新冠肺炎疫情下的生活等话题。