继承者们16集

张冠李戴，让你笑爆肚这是一部由温拿五虎联合主演的疯狂大喜剧，情节热闹！内容是环绕阿伦这个酒店待应生的遭遇而发生，酒店老板限期各董事们找寻他那从小失散的儿子，继承他的事业，董事们为了保住职位，不惜以相貌与老板相似的阿伦顶包，闹出笑话连篇，其间阿伦又邂逅了抱错别人婴儿的少女秀真，令事件搅得越来越复杂……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

頑固者、封建者、獨裁者面對不知如何是好的暴躁父親，卻沒有一絲的怨恨。服侍建設公司社長的妻子、懼怕父親的孩子們。日本家庭的原型、尖銳的人物描寫、古典的名作喜劇。木下惠介Kinoshita Keisuke(19-12-1998)。日本最著名的電影導演之一，以拍攝諷刺喜劇片聞名，1933年入松竹影片公司任職攝影助理並學習寫作劇本，作品肯定是人性正直勇敢的一面，諷刺醜惡卻不事渲染，情感受到洗滌，回復對生命的希望。軍國主義高漲的年代，他們都不能說真話，因為說真話就會被指為不愛國，甚至會被拉去坐牢。在日本電影藝術家的行列中卻可以稱之為巨人，他在22年裡拍了44部影片，是一位多產電影製作者。木下惠介為日本戰後電影黃金時代健將，影壇天王級導演。

早年丧妻后，老汉又当爸又当妈将儿女们拉扯成人，哪知三个儿子成家立业他自己变成糟老头时，儿子们开始比赛不孝，他成了没人要的皮球。想想乌鸦尚有反哺之恩，老汉悲从中来，决定一死了之。幸亏已远嫁他乡的孝顺女儿及时赶来，老汉保住一条性命。女儿想出让三个哥哥尽孝的办法：夜里，她搞大声响在院子里挖东挖西，并故意在地上留下几个钱币，引来三个哥哥的一番联想后，又大声和爸爸商量说要带着包着宝物的红枕头上路。这下，以前被他们当皮球踢的爸爸成了财神爷，三个家伙又开始比赛“孝顺”。