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解放前的上海，很多底层人寄居在闻家店，正可谓三教九流，鱼龙混杂。落魄少爷金不换靠妻子卖淫为生；赖皮匠为妻子治病债台高筑；走方卖药的金老头讲义气；巡捕石敢当呆头呆脑；报贩牛三乐天知命。而开店的老板闻太师（石挥 饰）则是八面玲珑、阴险狡诈。老板娘赛观音水性杨花，放浪不羁。她先是与小偷杨七郎（张伐 饰）私通，不想后者竟然爱上了她那善良敦厚的石小妹（周璇 饰）。妒火中烧的赛观音，从此对妹妹百般欺负，并与姘头小方密谋毒死闻太师，卖掉石小妹。而此时，决定重新做人的杨七郎，正准备和石小妹私奔，正撞见告发他与妻子私通的闻太师。两人扭打在一起，闻太师毒发身亡。杨七郎成为嫌疑犯锒铛入狱……本片根据高尔基的话剧《在底层》改编。

由“国家组织CIRS”新设的特殊技能训练校“美滨学园”……因各种原因失去归所的少女们被交付的是，枪与实弹。使用手枪的玲奈、擅长狙击的桐花、炸弹与信息处理的克莉丝、负责谍报活动的忍者邑沙季。她们每天都以SORD成员的身份，处理警察及自卫队无法解决的事件，不断进行着危险的活动。K县U港——。准备入国的重要人士突然消失了。SORD成员开始调查失踪事件，但每当即将捕获消失的“行李”时，就会在还差一点的时候被其逃脱。与姊妹校“京船樱丘”的SORD成员双子姐妹并肩作战，以及争执。以及——在夜晚的城镇中疾奔的神秘女骑手“Soul Speed”·真纪的传闻——。追踪最终转变成壮烈的死战，将身心一并撕裂。……但这同时还是，通往玲奈她们相遇之前的过去的旅程。

新冠疫情爆发，17岁华裔女孩Kelly跟随母亲回到湿热的上海。困住她的不是漫长的隔离，而是一场亲情和爱情的两难迷雾，她能否在这样窒息的困境中成长？该片为第五届平遥国际电影展“平遥一角”开幕特别放映的短片，由陈冲监制、周全导演，陈冲、许文珊、孙阳、郑毓芝共同主演。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.