斗罗大陆121

1947年春，我军与国民党在鲁南将展开战略决战，大战前夜，烟庄正举办一个没有新郎的特殊婚礼，春英（刘琳 饰）抱着一只公鸡替当兵的小叔子娶月芬（李念 饰）进了门。男人们大都上了前线，妇救会长兰花（范志博 饰）带妇孺老幼准备艰巨的支前仼务，他们不分日夜地摊煎饼、筹马草、做军鞋，拆了门板做单架。秀秀的哥哥大壮（李晨 饰）是六纵的战士，其父怕独子战死疆场，谎称老伴病重骗回儿子，将其锁在地窖中。黑燕（曹苑 饰）召集秀秀（张璇 饰）、小鹤（王莎莎 饰）用调虎离山计将大壮放出返回部队。为筹措军粮，月芬在路上与从未谋面的丈夫擦肩而过，不久，丈夫牺牲在前线，致成终身撼事。孟良崮战役打响后，兰花带众姐妹义无反顾地上了前线……

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb

第八代将军吉宗执政之时。相马藩士丹下左马之介奉命杀死自己的密友、藩内奸细神岛小十郎，事后，左马之介又遭暗算，右眼受伤、右臂被斩……一天，柳生藩受到命令，承担修复日光东照宫的任务。这实际上是将军身边的臣子愚乐老人企图吞掉柳生藩的奸计。焦急不已的藩主对马守得知家中有一个藏有黄金一百万两的宝罐，有了它定能顺利动工。而此罐在对马守的弟弟源三郎处，在护罐回藩的路上，对马守的人马遭遇愚乐手下刺客的袭击。意外知晓宝罐秘密的小偷与吉和阿藤，趁乱得手。就在这时，一名身着白衣自称是丹下左膳的独眼独臂浪人，突然现身，并和与吉、阿藤，一块带着宝罐消失了。愚乐得知后，命对马守必须带着宝罐出席五日后举行的宽永寺院大茶会。源三郎立即派人寻找宝罐。另一边，左膳带着一个假罐子，找到愚乐，并换回一百两钱。这时，左膳在还是左马之介时候的恋人萩乃，闻讯找上门来，她的出现引起了阿藤的嫉妒。于是，她带上真的宝罐，去找愚乐。左膳赶去时，与吉和阿藤被当作人质捉拿，危机关头，被源三郎救下。左膳答应源三郎，一定会赶在茶会举行当天拿回宝罐。不久，已是宽永寺院大茶会之日，左膳在与吉和阿藤的帮助下，杀出一条血路，并登上五重塔，大声戳穿了愚乐老人的计谋。大冈越前守听罢，与左膳约定，只要他离开江户，就宽恕与吉和阿藤。至此，愚乐机关算尽终自灭，柳生藩也度过了危难……左膳则大步朝着江户城外走去。

经历了十年动乱，知青丁尚彪和妻子返城回到上海，学业中断，身无一技之长，令他在这个充满变革的社会里举步维艰。在朋友的鼓励下，丁尚彪于1989年6月飞往彼岸的日本，开始了求学创业之路。在北海道的阿寒町，他和一众同胞为了未来努力学习，最后却不得不迫于生计逃离这里，成为一名非法滞留者。在此期间，他的想法发生转变，眼见自己的学业无望，于是丁将全部心血花在女儿身上。拼尽全力打工，只为将女儿送往美国留学。15年的日本岁月，一家人天各一方，辛酸、喜悦、误会、理解，万般情感，言语难尽……本片为系列纪录片《我们的留学生活——在日本的日子》收官之作。