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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

李秋霞（陈秋霞 饰）从小身体就不好，经过医生的诊断，她患有先天性不良心漏症，为了避免家人担心受怕，李秋霞的父亲并没有将此事坦白，而是作为秘密埋藏在心底。在中学的毕业舞会上，刘秋霞邂逅了名叫马国辉的英俊男子，两人互生情愫，与此同时，李秋霞的医生的儿子方子良（钟镇涛 饰）亦爱上了这个楚楚可怜的姑娘。秋霞的妹妹秋云也爱上了方子良，她一直记恨姐姐夺她所爱，在一次争吵中，秋云不慎导致了秋霞病发。李秋霞害怕自己的病情拖累了马国辉，于是假装和方子良十分亲热，这一举动不仅伤害了马国辉，还伤害了自己的妹妹。

故事背景围绕沈威扮演的二五仔为坐上社团龙头的位置出卖社团主脑石坚，并伙同争夺新地盘的新社团主脑吞并地盘而展开的，为了给石坚一家报仇清理门户和救出被掳去的梁家仁之爱女，梁家仁、徐少强、王龙威三兄弟跟新社团展开一场情与义的血战 .....

Mavka - a beautiful forest nymph and soul of the Forest - faces an impossible choice between love and her duty as guardian to the Heart of the Forest, when she falls in love with a human - the talented young musician Lukash. Our story is about the magical power of love. That kind of love that enables human nature to find the magic within and reveals abilities and qualities that empower a person to reach beyond possible and to hold against evil and human vice.