台情dvd

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

校花梁小琪（陈意涵 饰）是众宅男心中的女神，她的男友张圣（姜康哲 饰）更是校园中叱咤风云的人物，令很多美女青睐。梁小琪从内心厌恶宅男，认为他们内心龌龊，就因好友爱上宅男，她发表了一篇攻击众宅男的文章，挑起了网络大论战，由于文章真实署名，她一下成了众矢之的。某晚，小琪路过校园“菊湖” 不甚落水，奇怪的是湖水竟立刻干涸，路过的宅男吴全顺（陈柏霖 饰）出手相帮，把她拉了上来。室友陈美雪（郭书瑶 饰）提醒她，在湖干之时邂逅的男女将受到爱情魔咒的束缚，这是一个相传多年的神话，就是说她将和自己所讨厌的宅男相恋一生，小柯能否破解这个魔咒呢......

贝克斯菲尔德（伯特·兰卡斯特 Burt Lancaster 饰）是林肯机场的总经理，繁忙的工作让他总是将家庭摆在人生的次要位置，导致备受冷落的妻子辛迪（达娜·温特 Dana Wynter 饰）最终选择了离开。就在贝克斯菲尔德的婚姻遭遇了破坏性的打击的同时，他的事业也发生了前所未有的危机，一架飞机抛锚在了跑道上，阻碍了其他飞机起飞，更糟的是，另一架飞机上，一名恐怖分子引爆了炸弹，导致飞机严重受损，必须使用跑到着陆，否则就会机毁人亡。在飞机专家帕特洛尼（乔治·肯尼迪 George Kennedy 饰）的帮助下，贝克斯菲尔德凭借着惊人的胆识和智慧最终顺利化解危机，不仅如此，他还和女助手开启了一段罗曼史。

《早熟》是由榮獲第三十八屆金馬獎終身成就獎的宋存壽所編導。此片男角為擅演文藝片，以《痴情淚》一片走紅的凌雲。故事講述少女陸稚白（恬妞）邂逅父親陸濤然（金漢）的同事石心樵（凌雲）。雖表白心跡但為石所拒絕，後因與富家公子交往而失身，幸得石的幫助解窘，最終父親去世前將自己託孤與心樵。