双生灵探

內容描寫抗日戰爭時期，國民黨空中大隊長高志航以及閻海文、劉粹剛、沈崇海等空軍英雄悲壯犧牲的事蹟。影片攝製經歷三年，耗資數千萬台幣，為了符合據中人物的身份，訂定了上千套空軍飛行服及海軍、陸軍制服。國防部並專款裝修了 一艘大軍艦，製定了上百架的螺旋槳飛機，並改裝了幾十架戰 鬥機，最為日本九六戰鬥轟炸機。由於劇情延伸海上、陸地和天空，因此由三組攝影機已不同的交通工具載乘拍攝，此片不僅對情節有細膩的鋪陳、對人物的思想情感也有深刻的描繪，並且成功了空事的英雄形象。 影片荣获第14届金马奖最佳影片奖、最佳导演奖、最佳编剧奖、最佳彩色摄影奖、最佳剪辑奖、最佳录音奖。

This film is about haunting memories of Asia's late 20th-century modernization. The story departs from a 1965 United States embargo on the hair trade, known as the "Communist Hair Ban". Yet, in every wig resides a ghost from the imperial past.Wigs were vital for the rise of the Asian economy in the post-war era. In the heyday of the 1960s, it was the number four export in Hong Kong's export-orientated industrialization. Between Mao's China - the largest source of hair supplies, and the insatiable Western market, Hong Kong functioned as the gateway. In 1965, U.S. Treasury Department imposed an embargo on "Asiatic hair", to cut off foreign currency to Communist China in the hair trade. The highly racialized category of "Asiatic hair" was later revised as "communist hair", to enable the wig industry to develop in U.S. allies including mainly South Korea and Japan, which led to a significant reconfiguration of light industry in East Asia. Departing from the moment of the communist hair ban, through stories of movement, diaspora and migration, this project examines the role of Hong Kong as a transient space that mediates and sanitizes the connection between different worlds, and the relationship between U.S. Imperialism and East Asia order in the Cold War era.Produced by: Ruoyao Jane YaoDirector of Photography: Yavuz Selim IslerCameraman (Hong Kong): Fai WanSound Recording: Franco van der LindeCasting Director: Sai-wang LauMakeup: Ika KartikaColor Grading: Bob LemmVoice-over:Jia Zhao, Hamza Junaid, Tommy TseCast:Zoenie Liwen Deng, Ruoyao Jane Yao, Zoe Tang, Michael de Ross, Sidney Vereycken, Sai-wang Lau, Jo-Lene OngProduced by:Geodesic Studio, Vines FilmsThanks toWAAG Society, Amsterdam16mm Film Transfer and ScanningAndec Filmtechnik, Berlin

Walter Neff（弗莱德·麦克莫瑞 Fred MacMurray 饰）是一个成功的保险代理人，他在夜里回到办公室，开始在一个录音机上诉说他的故事......Neff为了取得Dietrichson先生的保险代理权，来到了他的家中，Dietrichson先生不在，Neff遇到了Dietrichson先生的新妻子Phyllis Dietrichson（芭芭拉·斯坦威克 Barbara Stanwyck 饰）。美丽的Phyllis让Neff感到不自然，而她也开始说起她的丈夫的诸多不好之处。在第二次拜访中，Neff终于控制不住自己的欲望，愿意参与Phyllis的杀夫计划。Neff计划在Dietrichson先生坐火车的时候制造他失足摔下的假象，以骗取“双重保险”。一切进行的非常顺利，Dietrichson先生死掉了，Neff和Phyllis两人的爱情和金钱似乎都有了保障。然而，Neff的好友保险调查员Barton Keyes （爱德华·罗宾逊 Edward G. Robinson 饰）却觉得事有蹊跷，开始调查整个事件......本片改编自James M. Cain于1943年出版的同名小说，由导演比利·怀尔德和侦探小说作家雷蒙德·钱德勒共同编剧，获第17届奥斯卡最佳影片等7项提名。

这是一部真实的电影，真实展现了日军偷袭珍珠港的历史。美军插手太平洋战场，日军最高将领山本五十六（山村聪 S? Yamamura 饰）认为美军实力强大，应速战速战，不宜和美国人打长久战。于是，由他一手策划的偷袭珍珠港行动正式启动了。虽然美军从此前截获的日军密电中得知了日军可能进行突袭的消息，但多数人都对此不屑一顾，密电的内容也没进行上报。即使在突袭当天美军一个士兵发现了雷达上不寻常的飞机群，美军将领仍然认为那是自己的飞机在执行巡逻任务。最终使得日军偷袭行动一举成功，美军损失惨重。山本五十六也成了美国人最大的眼中钉。