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It's 1846. Sweeney Todd and Anthony Hope, greeted only by a crazed beggar woman, sail into London, where Todd implies he has been before but not in quite some time. Todd heads to his old stomping grounds of Fleet Street, where he runs across the pie shop belonging to Mrs. Nellie Lovett, who professes to make the worst meat pies in London due to the high cost of meat. The upstairs of her building has sat empty since no one wants to rent a space that is considered haunted by its long ago tenant, barber Benjamin Barker who was falsely accused and ultimately sentenced by the sadistic Judge Turpin and who was shipped away to prison in Australia, leaving his wife Lucy and infant daughter Johanna alone in the world. Todd comes to an agreement with Mrs. Lovett to rent the upstairs of her building so that he can open his own barber shop. A series of incidents, including one with rival barber Senor Pirelli, make Todd change his focus slightly away from having a choice encounter with Judge ... Written by Huggo

故事讲述茶室老板娘买进一名天真的少女招揽生意，引起青春期儿子窝里反，顽皮而又心地善良的儿子和同班同学，展开英雄救美，女老板姘头兼保镖把被儿子放走的少女奸污后捉回，摇钱树泡了汤。老板娘将茶室改为餐馆，抚平了母亲不名誉给儿子心理留下的阴影。

纽约大战后，雷神索尔（克里斯·海姆斯沃斯 Chris Hemsworth 饰）将弟弟洛基（汤姆·希德勒斯顿 Tom Hiddleston 饰）带回仙宫囚禁起来，此外帮助九大国度平定纷争，威名扶摇直上。虽然父王奥丁（安东尼·霍普金斯 Anthony Hopkins 饰）劝其及早即位，但索尔念念不忘地球的美丽女孩简·福斯特（娜塔丽·波特曼 Natalie Portman 饰）。与此同时，简在和黛西及其助手伊安调查某个区域时意外被神秘物质入侵，却也因此重逢索尔，并随其返回仙宫。令人意想不到的是，藏在简体内的物质来自远古的黑暗精灵玛勒基斯（克里斯托弗·埃克莱斯顿 Christopher Eccleston 饰）。在“天体汇聚”的时刻再次到来之际，玛勒基斯企图摧毁九大国度，缔造一个全然黑暗的宇宙。藏匿简的仙宫受到重创，而索尔和洛基这对冤家兄弟也不得不联手迎战宿命的强敌……

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.