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罗伯特．怀斯导演的一部具有悬疑性的科幻片，描述美国一枚太空舱堕落墨西哥荒郊小镇上，导致镇民全部离奇死亡，仅剩一老一少受重伤未死。特别营救小组将他们救回实验室研究其病况，最终发现其中奥妙。本片制作相当认真，气氛和映象亦有部分的杰出表现。但整体来说太过沉缓，描述科学家如何研究细胞分裂的过程也太详细了。

Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.源自：

浪聲陣陣，少年躺在水面，希望一波又一波的浪濤，可以埋住他的千言萬語。賴汎看著鄭滔洋的一舉一動，期望能獲得對方身上的些許暗示，「他」暗戀著「他」。一日，賴汎瞥見鄭滔洋與其他女生纏綿，那畫面令他不知所措、開始不斷地往深海裡墜⋯⋯

整部影片讲的就是一个演员兼编剧跟一个导演在餐桌上讨论各种人生话题，有很强的思辨性。片中的两个男人，“我”和安德烈。一个是心比天高，另一个则安于现状。两人在一顿晚饭的时间里谈了各自对生活、对人生、对世界的看法和迷惘。说起来，这两个人无限的平凡，不仅貌不惊人，甚至你回过身就会忘了...1957年，年仅25岁的路易·马勒执导了《通往绞刑架的电梯》而一举成名，影片蓄意的打破了传统法国电影的叙事习惯，偷师于好莱坞四五十年代的黑色电影的风格化叙事，奠定了个人风格的基础，甚至被誉为是新浪潮的先驱。而这部《与安德烈的晚餐》是导演移居美国后制作的影片，其以两个知识分子在一家餐馆的心灵交流为主线，但采取的是将剧情片与纪录片融合一起的叙事方式，而富有探索精神及实验色彩（后来徐静蕾的《梦想照亮现实》便是明显的借鉴于本片）。标准公司即将发行的版本不但重新修复了画面，还收录了全新录制的两位主角（即华莱士·肖恩与安德烈·格利高里）的访谈、BBC公司制作的相关电视节目“与路易的晚餐”等。