月关新书

为了进一步巩固解放战争的基础，最大限度发挥广大民众的力量。中共方面派出由萧祥（于洋 饰）率领的农村土改工作队进驻位于东北某解放区的元茂屯。然而土改工作从一开始就遇到了不小的阻碍，千百年来唯唯诺诺的农民们根本还没有当家作主的意识，他们习惯了当地主家的佃户，对于这项前所未闻的政策畏首畏尾，不敢轻易尝试。除此之外，自觉切身利益受到损害的恶霸地主韩老六（刘季云 饰）则和农会主任张富英（安震江 饰）沆瀣一气，到处散播谣言，意图破坏土地改革的进程。萧祥和同志们审时度势，对症下药，揭穿瓦解了地主的阴谋。而在此过程中，赵玉林（高保成 饰）等贫苦农民等也勇敢站了起来，积极争取当家做主人的合法权益……

今回の舞台は、東京・原宿にある24時間営業の巨大スポーツジム。彼女から「細い男はイヤ」と言われたのがきっかけで、ボディビルダーにまでなった男性。ケガでサッカー生命を絶たれ、その悔しさを筋トレでまぎわらす青年。見た目のコンプレックスを克服するため、一念発起して通い始めた主婦。長くて険しい筋トレ道。どんな人がやってくるのか。※撮影は2月中旬に行いました。

改編自網路作家葉聰靈同名作品，集合懸疑、驚悚、推理元素。一個殺死四個漂亮女孩變成最完美的女孩，收到了署名「未來的我」的Email，預言她24小時後將為她犯下的罪行畏罪自殺。 結果這一切全部是……

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.