强殖入侵

《椿之庭》是日本知名广告摄影大师上田义彦首次自编自导兼摄影的电影作品，也是他经过十年时间构想出的作品。故事讲述了住在山茶花盛开的房屋中的祖母绢子和孙女渚，与一年内不时上门拜访的客人之间的互动，在四季中感受着庭院里的花草树木，以及疼惜着身边还陪伴着的家人们。女主角“绢子”由日本资深影后富司纯子饰演，片中的孙女“渚”由曾凭借《新闻记者》获得第43届日本电影学院奖最佳女主角的沈恩京饰演。此外还有田边诚一，铃木京香，清水綋治，张震等人共同出演。

影片讲述德川时期发生的两个残酷故事：牛裂篇：长崎当地官员高坂主膳（汐路章 饰）残暴成性，发明各种酷刑迫害基督教徒。在官府奉职的佐佐木伊织（风户佑介 饰）与女孩登世（内村レナ 饰）相爱，然登世一家为基督徒，不久也被抓进官府。登世父母不堪折磨，相继惨死，妹妹亦被烫瞎双眼。得知内情的高坂有意在伊织面前侮辱登世，并将其霸占，令二人痛苦不已。一年后，沦为浪人的伊织带登世逃跑，途中伊织被高坂杀害，登世则因通奸罪遭受了残酷的牛裂之刑。锯刑篇：贪图享乐的舍藏（川谷拓三 饰）逛青楼无钱付帐，被逼做工偿还，期间目睹了妓女们所遭受的种种折磨。舍藏无法继续忍受，偕相好的妓女大里（橘麻纪 饰）逃亡，靠“仙人跳”为生，中间闹出不少笑话。后二人被官府捉拿，遭受一系列痛苦刑法……

秀枝的三个儿子：何轩、何进、何柏 。秀枝最小的儿子何柏，寄了一张自己创作的音乐CD给她，祝她母亲节快乐。那是一张有何柏的感性口白加上钢琴演奏，秀枝虽然不懂音乐，但儿子的心意她懂，开心的嘴角都裂到耳边去了。过两天就是母亲节了，秀枝知道三个儿子一定会回家看妈妈，但是小柏不见 了，何轩与何进知道后，决定不回去陪母亲，而是必须要快点找到何柏。 满心期待儿子回家的秀枝，一下子希望落空。正当更年期的她情绪不稳定，身体也正在最难过的阶段，尽管如此，秀枝依然决定向王老板借冷冻车，把这些食物一 个一个的亲手送去给儿子......

A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.