用我的手指搅乱吧未增删翻译

影片根据真人真事改编，讲述了少年王新阳的生活因突患白血病而彻底改变，面对未知的明天，新阳依然乐观坚强，努力实现青春梦想的故事。

从高中走过来的恋人大谷晋也（德山秀典 饰）和立花都（斋藤康嘉 饰）成为了同一所学校的大学生。日子在平凡又甜蜜的每一天中度过，直到二人在校园邂逅了曾经的高中同学水泽雪子（松冈璃奈子 饰）。和立花要好的雪子让大谷开始感到不安，他害怕立花突然有一天就选择了可爱的女孩，而走出他的视线。这种名为嫉妒和猜测的心思让两人间的感情遭遇了考验和冲击。于茫茫人海中，认识彼此，大谷和立花从好兄弟变成恋人，中间经历了不少坎坷，二人冲破了不少障碍。而这次也将成为二人相伴路上的插曲，因为全世界的美丽都不敌恋人眼中的光和含着爱意的言灵。本片改编自漫画家绀野けい子的同名作品。

电影讲述了漫威漫画中最神秘的女超级英雄的起源故事。急救护工凯茜（蜘蛛夫人，达科塔·约翰逊 Dakota Johnson 饰）因一场意外发现自己能够预知未来，在探寻能力起源的过程中，她与三位蜘蛛女的命运紧密联结在一起。面对反派“毒蜘蛛”以西结的追杀，蜘蛛夫人试图找明原因。穿梭在时间线中的她们将如何利用预知未来的能力改变世界命运？

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)