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林宥嘉《大小说家》影音馆拍摄的短片“春游”与“远夏”，分别是《浪费》与《拾荒》的主题配乐，故事背景设定林宥嘉饰演的林远夏，和张钧甯饰演的沈春游，是描述一对互相认为对彼此有感觉，却是暧昧不清的心境转折，林宥嘉大展内敛演技，沉着而张力十足，塑造出孤独却痴情的角色形象 。导演以多种视角捕捉文字砌筑成的画面，寓意式的对白让人省思，二段互有微妙关联的短篇故事，看似在两个空间却又可彼此依存找到线索得到答案。附上姐妹篇《远夏》

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

“龙虎武师”，亦称“武行”，泛指电影中的武打演员。战争年代，戏班从北方迁到南方，再辗转来到香港。戏曲科班出身的武行少年练得一身硬桥硬马的功夫，随着最新娱乐形式的兴起，戏班少年自然而然成为电影行业的生力军。在香港电影的黄金年代，一代代龙虎武师为香港电影的辉煌立下汗马功劳，然后因为他们更多时候作为替身或者躲在摄像机之后，所以普通观众很少能知道这些武师的名字以及背后的故事。哪怕之后蜚声国际的成龙、洪金宝、刘家良、袁和平、钱嘉乐、元华、元彪等人，他们的成功背后又有多少人在默默付出。曾经的辉煌而今成为一抹余晖，而龙虎武师顽强拼搏、勇攀高峰的精神依然传承至今。

平凡的一天，房间内再次爆发大战。伴随着女主人撕心裂肺的尖叫声，汤姆和杰瑞的追逐战持续上演。混乱之中，女主人的夺命扫帚打中了汤姆的脑袋。也许是用力过猛，汤姆的大脑发生剧烈的变化。他表现得像一只老鼠，顽皮地追逐着恐慌的女主人，又从冰箱里掏出一大块奶酪和杰瑞一起分享。甚至他还将肥胖的身躯挤进了老鼠洞，毫不见外地躺在杰瑞的床上。小床那里禁得住汤姆的身躯，理所当然被压得粉碎。虽然解决了天敌的侵扰，可是杰瑞非常懊恼，因为汤姆完全侵占了他的空间。杰瑞转而向书本求助，发现汤姆可能因为剧烈撞击患了失忆症，于是他打算用相同的办法帮汤姆找回真正的自己……