真正的正义:死亡天使

前田时造是日本原海军中尉，日本战败后，前田一家曾一度过着猫犬不如的贫困生活，他曾发誓要改变生活。现在，他过上了中产阶级的生活。在日本东京的郊区外，在大众式公寓丛中有了前田时造的家，不再是以前那种丑陋、寒酸的面貌。每天，他坐在公寓四层的家中，给在外谋生的孩子们出谋划策，教育孩子们：“为了不再过那种非人的生活，要不顾一切去争取。”前田家的生活水平不断上升，然而有人却死于非命......

河那跟男友分手後無處可去，暫時寄居在好友奉植頂樓加蓋的房子裡。這期間，河那跟奉植各自遇到感情上的難題。河那的前男友 - 正民，努力地想和他重修舊好，卻又不肯為他出櫃，讓河那很糾結。而好友奉植雖然是知名直播主，在影片中看起來開朗活潑，但在現實生活，卻從來沒有一段穩定的戀情。直到有天奉植的粉絲向他告白，他的體貼及用心打動了奉植的心，讓他開始猶豫是否要跟他交往。兩人的感情路最後究竟能否有個快樂的結局呢？

A cinema verité view of the day-to-day activities of policemen on the Kansas City, Missouri police force. The police are followed through a series of routine actions: locating a stolen purse, caring for a lost child, arresting a prostitute, and settling family problems.

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.