黑道分子陈雄（高飞 饰）也是一名拳场高手，其弟与一名泰拳王交手，不辛被对方贱招暗算致残。陈雄本人也遇上了麻烦：大陆帮派将他诱入埋伏，幸而一红光幻象中的高僧出现，解了陈雄之围。陈雄为了给亲弟报仇，远赴泰国与泰拳王约战，期间陈雄偶然经过一座寺院，恰似红光幻象中的情形。院方僧人竟然早知陈雄身份与来意，原来这里的清照大师（徐锦江 饰）收服了一名降头师，召来其师傅的复仇，清照大师接近修成的金身被破，唯有与清照大师前世为孪生兄弟的陈雄有希望助大师完成金身，清除一众降头师。自此陈雄出家，苦修佛法，与多名降头师展开连串惊心动魄、超出凡人知识的斗法。

《父母心》是獨立電影人約翰．卡薩維蒂於六十年代遇上荷里活製片之產物。故事講及精神科醫生畢蘭加士打聘請了來自音樂學院的朱迪．格蘭，於兒童精神病院利用嶄新手法教導外界認為無可救助的精神病兒童吉娜．羅蘭茲。片中兒童皆來自加州其中一間兒童精神中心，將這班被遺忘的一群真實地呈現在觀眾面前。都市人面對種種生活壓力，大量社會問題備受關注。當面對社會的陰暗面時，主流社會最初會以迴避的態度面對，而經過大量之社會運動、媒體報導等以令社會更多元、開放，以積極的態度去面對。這種社會心態轉變可能用上半個世紀，甚至更長時間。其中兒童問題從來都是一個敏感議題，而卡薩維蒂早在六十年代已利用光影之間揭示社會鮮為人知的一面，廣泛引起主流社會討論。卡薩維蒂是一位極具才華的獨立電影導演，游走於荷里活製作和獨立電影之間，利用偏鋒路線打破固有荷里活電影記事模式，注重強烈的演員性格去反映現實社會。本片被評為卡氏最為大膽作品之一，其寫實性令人嘆為觀止，創新起用精神病兒童在作品中表演。深刻地勾勒出這批非主流兒童的困境，打破大眾對他們的形象。而憑藉這齣先驅作品，我們更可以反思現時香港社會在這方面的缺失。As a result of co-operation between Cassavetes and Hollywood's producers, A Child is Waiting was shown in the 1960s. Burt Lancaster, a psychiatrist, hires Judy Garland to work at a psychiatric facility for children. Garland uses an innovative method to teach a mentally retarded child, Gena Rowland, who the world has turned its back on. Patients in the film were from a real life psychiatric institution, where this group of forsaken children was being honestly presented to the audience.City life is filled with all sorts of stress and problems. When facing the dark side of society, the mainstream community usually takes refuge in escapism. It is only after waves of social movements and media coverage that the people's attitudes about these problems would change and that they would take affirmative action about it. This process might take half century or longer. Children issue has always been a sensitive subject, yet Cassavetes has already chosen to show its untold stories in his film in the early sixties to arouse public discussion.Cassavetes was a talented independent filmmaker who also engaged in Hollywood productions. His works emphasized on his actors, and through their characters, instead of traditional storytelling techniques, explored the realities of society. This film was hailed as the most daring piece of Cassavetes' works. Its realism was praised, especially of his inclusion of real life patients. The patients' difficulties were profoundly illustrated so as to eradicate the public's prejudice against them. From this avant-garde work, we can even reconsider the situation of these issues in Hong Kong.source: Hong Kong Arts Centre

詹文在成年那天做了一个决定：让子弹在夜市里飞。唯一死者是游戏直播主小盛；Vita接到未婚夫死讯，社畜人生戛然而止；网络盗图冒名诈骗的太妹琳琳，与记者霉菌在夜市约访，让他意外成了制伏凶手的目击证人；阿兴深信挚友不是故意杀人，在两人创作的漫画世界里，只要有把梵天剑，就能斩断时空，在奈何桥相见。六人命运在夜市交错，被迫面对各自生命的缺陷与困境。此生莫向修罗坠，鬼畜地狱苦轮回，但什么是罪？谁没有罪？导演楼一安受报道文学启发，虽以随机杀人为引，却不对加害者或被害者妄下批判，透过叙事观点与人物机缘转换，将冷血杀人魔还原为人。六个角色如同六道轮回众生，沉沦也好，绝望也罢，善恶有时只不过是偶然，当阿修罗被黑暗吞噬，人又怎样才算完整？黄圣球、莫子仪、黄姵嘉悟道重生，王渝萱凝练一身顽强与脆弱，潘纲大黑暗中兀自闪耀。

还是中学生的Chul-soo（郑雄仁 饰）和 Ae-lang（蔡敏瑞 饰）初尝禁果，就结下了果实。还是孩子的Chul-soo在不知情的情况下，于一年后在学校意外被收到了一个男婴，而这就是他的孩子。起初接受不了这个事实的Chul-soo想要找Ae-lang问个明白，可是她却已一走了之。无奈之下，Chul-soo开始了和儿子Cho-won（俞承豪 饰）的父子生活，从起初的艰辛到后来的血浓于水，父子二人于平淡中快乐的生活着。九年过去，Chul-soo成为了一家夜总会的主持人，而Cho-won更可谓是在夜总会长大，俨然一个小大人。这时，从外国回来的Ae-lang在意外的情况下，和父子二人见面。一切似乎又回到九年前，戛然而止的曾经的恋人因为误会和时间被分开，而再度的重逢能否将这段感情挽回，而这得靠他们古灵精怪的儿子Cho-won来帮忙。