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一个跨越一生的真实爱情故事，但最终会导致痛苦的爱情损失。 简（Jan）是一个过分保护好战的父亲的女儿，但这并不能阻止她与空军年轻的地理情报员史蒂夫（Steve）坠入爱河。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

这部纪录片电影由“黄色大门电影俱乐部”成员现身说法，回顾了成为韩国第一代影迷的狂热电影爱好者的时代，并回忆了对奉俊昊执导的第一部短片的印象。

This is one of seven major propaganda films made by the Department Of Defense during World War II, and it's directed by Frank Capra.In this installment of the "Why We Fight" propaganda series, we learn about the country of China and its people. With a brief history of the country, we also learn of why the Japanese wanted to conquer it and felt confident about succeeding. Finally, the history of the war in that theatre is illustrated and shows the stiff determination of the Chinese who use all their resources to oppose Japanese aggression to the end.