孔庆德生死护送卡尔逊

莉娜与娜卡的面前突然出现一位泪汪汪的美少女。她的名字叫莎琳娜，十天前她所居住的比亚兹村落，被一个名为塔因的秘密组织所驱使的下级恶魔占领，她是来请求她们帮忙，并且述说恶党们还胁迫村人去做一些挖掘的工作。平常要是没有酬劳，莉娜是不会接受委托的。不过她却突然想起在比亚兹村落有著＂妖精之传说＂，便接下了此次的任务。

九年前，杰西（伊桑·霍克 Ethan Hawke 饰）与席琳（朱莉·德尔佩 Julie Delpy 饰）在火车上不期而遇，怦然心动。在维也纳渡过疯狂而又浪漫的一夜后，他们在日出前分手，并相约在维也纳重逢。九年之后，杰西已成为畅销书作家，而席琳则是法国环保组织成员。杰西在新书里娓娓道来的，正是九年前的浪漫夜晚。在巴黎促销新书时，杰西与席琳在书店相遇，然而他们只有一下午的时光相处，日落之前，杰西要乘飞机赶回美国。两人在午后的巴黎街头散步，在美丽的护城河上泛舟，无所不谈，兴致勃勃。可是就像命运的捉弄，快乐的时光像烟花一样醉人却短暂。杰西对席琳一送再送，难以忘情；席琳用吉他和歌声，怀念着内心深处的爱恋。太阳就快落下去了，杰西就要误了飞机，又或许他更不想错过的，是命里注定的缘分。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

「不能說再見，我仍然隨你的迴聲漂流」高中生上山立夏，因受到佐藤真冬的歌聲衝擊，邀請並說服他加入自己與好友中山春樹、梶秋彥合組的樂團擔任主唱。在初次Live表演成功後，樂團以「GIVEN」的團名開始活動，立夏也意識到自己對真冬的感情，兩人開始交往。進入暑假後，為了取得搖滾祭現場演出機會的團員們正反覆地練習，然而，真冬在創作新曲上陷入瓶頸，立夏想幫忙卻只能在一旁靜靜守護，這兩人卻因小小的摩擦而產生衝突……