从卧室到厨房一直CHH

由美国返港的Billy（白石千 饰）生性风流，在已婚女子Judy（吴家丽 饰）落魄时收留了她，二人关系由此打得火热，痴恋Billy的Judy想将其占为已有，然而这触怒了Billy的空姐女友Lisa，两女子不时口角，冲突愈演愈烈。不久Lisa在家中惨遭谋杀并被溶尸，Billy与Judy落监，后者想念情人，拜托前来探监的教会志愿者Annie（李丽珍 饰）探望Billy，岂料Billy成功俘获了Annie的心，令其帮助自己脱罪。负责此案的黄检察官感到Billy心机颇重，不懈调查试图揭开Lisa被害当夜的真相……本片根据“空姐溶尸案”改编，吴家丽凭此片获得第30届金马奖最佳女演员殊荣。

A man prospecting for gold in the desert becomes lost and comes across six naked women.The genre being what it is, the hook is beautiful nearly-naked women. This film delivers. Oh boy does it deliver. The topless women show up at about the five-minute mark, and remain on screen for the rest of the film. There isn’t a minute that goes by without bare breasts, and these women are absolutely gorgeous.There are typical of the kind and quality of jokes told throughout the film. In fact, if your family has a liberal attitude about the sight of bare breasts (and occasionally buttocks), this is a great film for kids as well as adults, because these jokes can be appreciated by kids of all ages, and there is nothing (besides the nudity, depending on your values) that is inappropriate for children. This is simply a delightful film.

《拔出雏菊》(Pull My Daisy,1959)的受到瞩目，即是因为本片与敲击氛围的紧密关联：片中的剧情是由杰克?克鲁艾Jack Kerouac撰述并朗诵，而它松散即兴的外观，也反映出那种"痞子"(hin)的生活态度。

一个男人和一个女人在晚餐时偶然相遇在一个浪漫的旅店。尽管两人都已结婚，但第二天早上，他们发现自己在同一张床上，质疑这一切是怎么发生的。他们同意每年在同一个周末见面。最初是舞台剧，两个人在不同的场景中，在同一个房间里不断变化。每一个都是按时间表出现的，但随着时间的推移，每个人都会有一些个人危机，而另一些人则会帮助他们度过危机，他们往往都不知道发生了什么。