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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

在香港生活的珊珊（顾美华 饰）得知祖母在乡下过世，动身返回阔别20年的潮汕老家，为祖母奔丧，同时也是想借机逃离城市里的烦恼。与快节奏的城市生活相比，珊珊的老家依旧保持着记忆中朴实隽永的生活。珊珊与儿时的玩伴阿珍（斯琴高娃 饰）和孝松（谢伟雄 饰）重逢，此时的两人已结为夫妻，珊珊的到来打破了原本波澜不惊的乡间生活。而珊珊光鲜的城里人生活的背后是不为人知的艰辛和无奈：父亲的早逝、与妹妹的决裂、感情生活受挫……短暂的归乡旅程结束，故事中每个人的人生又会因这场久别重逢发生怎样的变化呢？《似水流年》获得第四届香港电影金像奖最佳影片、最佳导演、最佳剧本、最佳女演员 、最佳新人、最佳美术指导6项奖。

2020年4月22日，皮克斯推出一支《机器人总动员》的16比特动画短片，庆祝世界地球日。

2011年的未来世界，大雄和静香如愿结为夫妻，并共同养育了可爱而调皮的儿子野比助。小助与爸爸截然相反，不仅体育方面十分擅长，而且经常欺负胖虎和小夫的儿子，真可谓风水轮流转。这一天，他回家后发现房间里有一个奇怪的球体，于是顺手将其送给胖虎的儿子小技。不久，哆啦美来到家中，她正是要寻找那个原本要寄送到1989年却因为自己潦草被错误投递到25年后的球体包裹。出于好奇，小技打开球体，发现里面躺着一个与哆啦A梦极为相似的红色小机器人，那正是来自未来的迷你哆啦。从未见过哆啦A梦的小助、小技和小树与迷你哆啦快乐地玩耍，不知不觉忘记了时间。消失的迷你哆啦和调皮的三个孩子，这可急坏了哆啦美……