侦探歌剧

在20世纪的初始，传奇人物乔希尔与他的兄弟一起移民到美国。在美国各地的转辗让他与自己的兄弟失去了音信。乔独自在美国生活，打过许多份工，见到劳苦大众受到一直以来的不公正待遇和持续发生的惨剧，乔被深深触动。他加入IWW组织，一个倡导为劳动人民赢得公义和拒绝再忍受惨剧发生的联盟，乔逐渐成为这个地下联盟的积极分子四处活动。不幸的是，这个联盟引起政府注意遭到禁止，无法在公共场合进行理念宣传和演讲，聪明的乔想到采用歌唱的方式将救世军（救世军（TheSalvationArmy）是一个于1865年成立，以军队形式作为其架构和行政方针，并以基督教作为信仰基本的国际性宗教及慈善公益组织，以街头布道和慈善活动、社会服务著称。）的宣传单内容传播到渴望解救的大众脑海里。他成功地获得了越来越多人的罢工支持，同时也树立了强大的敌人采取措施加以陷害。最终，被陷入一场谋杀案当中，在面对来自黑暗势力的审判，他毅然辞掉了指派的律师，以正义作武器为自己辩护来击败丑恶。

地球聯邦政府與自護公國之間，發生了一場人類首次經歷的大規模宇宙戰爭。在戰爭的最後一年裡，人造機動武器-機動戰士正式投入到人類的戰事中。居住在宇宙植民區的一位少年嘉美尤S為反抗聯邦軍軍人而奪去新型的機動戰士 - 高達MK-II，並投身於反地球聯邦組織『奧干』的行列。被奪去高達MK-II的聯邦軍的精英分子，組織了『泰坦斯』，使用卑劣的手法，脅持了嘉美尤的父母作人質。最後，嘉美尤的父母就在他的面前慘遭毒手。站在嘉美尤旁邊的古華多羅Z納，竟就是以前自護公國的王牌馬沙，而他的夢想就是要令軍隊變得所向無敵。嘉美尤從失去父母的悲傷中重新振作，並為『奧干』作戰，他穿越了大氣層降落到地球上，並遇到一個神秘男子。原來這人就是馬沙以前的死對頭-傳奇人物亞寶?

她嘴唇的触感 令我难忘来自五个不同国家的导演，5个饱含真情意犹未尽的短篇小故事。高颜值 深情款款应有尽有。1《假装》想要举办个人影展的女摄影师，为了灵感找上了前女友...“你才是我的缪斯！”2《翻腾的飞鸟》 总是被对方欺负，却在不知不觉中再也移不开目光。“青春伤痛文学”3 《人鱼之间》四个女人一台戏 发现好友爱上了同性，啰里吧嗦橘里橘气。“肥水不流外人田”4《徘徊之间》爱不止于言语之间 更在于肌肤之亲“爱她就盘她”5《泳池》她死后，我住进了泳池。跨越三代人的纽带，因为外婆遗物中的一封信，孙女踏上了记忆的回廊。“爱意可以穿透时空”by 微博@亿万同人字幕分享

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.