动画片熊出没之环球大冒险

震撼了法国印象派的浮世绘背后有着怎样的故事？令世界叹为观止的《富岳三十六景》是如何诞生的？由《相棒》《泡吧侦探》导演桥本一执导，戛纳影帝柳乐优弥和前卫舞蹈艺术家田中泯主演，枝裕和导演御用演员阿部宽，日本影坛实力演员永山瑛太、玉木宏助阵参演，揭秘日本江户时代的天才画师–-葛饰北斋波澜壮阔的一生。本片聚焦江户时代浮世绘画师葛饰北斋从青年到老年的艺术人生，细致地描绘出这位画师在时代沉浮中纯粹而坚毅的创作姿态。通过这位画伯狂人的人生，日本江户时期百花齐放的庶民文化图景跃然于镜。

影片讲述了在某次打击边境犯罪的行动中，解放军南部战区特战排上尉排长周扬（陈星旭饰）与康腊市公安局特警大队大队长肖克（李瑞超饰）参与联合行动，却遭遇战友惨死，此后陷入深深的不安和自责中……在一次面对黑势力的反扑时，两人决定再度联手，一场同仇敌忾的战役即将打响，正义与邪恶的终极对决就此拉开……

サンリオを代表する愛らしいキャラクターのキティを主人公とする約30分のOVA。本作はヨハンナ・スピリの世界的児童文学『ハイジ』を原作とし、「サンリオ世界名作劇場」シリーズの第3巻として刊行された。みなしごになったかわいそうな少女ハイジ。彼女は山奥でひとり暮らしをしているアルムじいさんに引き取られることに。最初は頑固だったアルムじいさんだが、ハイジの明るさと接しているうちに、その心を次第になごませていく。そんなある日ハイジは、自分と仲のいい羊飼いの少年ペーターのおばあさんの目がよくないことを知り……。監督の石川康夫ら本作のメインスタッフは先行作『ハローキティのしらゆきひめ』とほぼ同様。また、一部のスタッフを変更し、第二部「クララとの出会い」も1994年に作られている。

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.