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自身の青春時代をつづった小説をもとにした2009年公開作「ドロップ」で長編映画監督デビューを果たした品川。その後も「漫才ギャング」「サンブンノイチ」「Zアイランド」などを手がけてきた。「OUT」は「ドロップ」で水嶋ヒロが演じた“狛江の狂犬”こと井口達也を主人公とした後日譚で、17歳になった井口が地元を離れて新たな仲間とともに過ごす壮絶な青春の日々が描かれる。

《我是桂子，但》(1997/ 61min)：桂子是一名女侍應，獨居在東京，自從爸爸過身之後，她對時間有了情意結，在廿二歲生日之前三星期，桂子決定開如始倒數：每日、每小時、每分、每秒，她要實實在在地感受自己每一刻的存在，然後廿二歲的生日終於來了。

Follows two best friends on their final night together, with nightmare of drugs, bugs and horrific intimacy.

A man prospecting for gold in the desert becomes lost and comes across six naked women.The genre being what it is, the hook is beautiful nearly-naked women. This film delivers. Oh boy does it deliver. The topless women show up at about the five-minute mark, and remain on screen for the rest of the film. There isn’t a minute that goes by without bare breasts, and these women are absolutely gorgeous.There are typical of the kind and quality of jokes told throughout the film. In fact, if your family has a liberal attitude about the sight of bare breasts (and occasionally buttocks), this is a great film for kids as well as adults, because these jokes can be appreciated by kids of all ages, and there is nothing (besides the nudity, depending on your values) that is inappropriate for children. This is simply a delightful film.