尼基塔4

北宋年间，景阳冈上猛虎屡屡伤人，导致谣言四起民心飘摇。在这人人自危的时刻，辽人萧赞更是以此为由头，指挥江湖恶人借机生事，为所欲为。路经此地的武松被卷入乱世纷争，路见不平一声吼，哪怕前路危机重重，武松也毫不胆怯，誓要凭一腔热血粉碎天下万恶，拯救苍生于水火。

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

テレビシリーズ第5話を『ウルトラマンUSA』と『ウルトラマン 恐怖のルート87』の併映で公開。

春名礼子（中谷美纪 Miki Nakatani 饰）是曾获芥川文学奖的女作家，由于遇上创作瓶颈，灵感枯竭，身体状况开始变差。责任编辑木岛（西岛秀俊 Hidetoshi Nishijima 饰）劝说礼子搬到郊外一栋古旧的洋房里居住，在这栋为森林和沼泽所包围着的房子对面是一幢废墟般的空置房屋。一天晚上，礼子看到一个男人把布包裹着的不明物体搬进房 子里。后来，她得知对方是名叫吉冈诚（丰川悦司 Etsushi Toyokawa 饰）的大学教授，那栋空房子是相模大学的研究所。那是一具从沼泽里取出来的千年女性干尸。 但礼子噩梦就此开始，研究所的秘密、房间的古怪、吉冈的行径以及之前的身体不适等各种怪事都与干尸扯上关系。