FUQER VIDIEOS18

《画皮》根植经典，奇幻为表象，以“人妖情”为切入点，讲述了女妖小容和书生王怀卿及其妻子阿若的痴缠虐情，开启了一段人妖在心色皮相、生死劫难之间的疯狂历程。

一代歌后姚小蝶（刘雅丽 饰）自加拿大返港，准备在即将拆除的丽花皇宫进行一场纪念演出，这里是当年她和露露（罗冠兰 饰）、莲茜（冯蔚蘅）、凤萍（苏玉华）三名姐妹歌唱事业起步的地方。六十年代，东南亚的战争阴云对香港也多有波及，此时的四姐妹在丽花皇宫刚刚开始自己的演唱之路，凤萍被烂赌的男友拖累，有孕在身却经常入不敷出，最后消失在混乱的南洋，为四姐妹无忧无虑的日子画上了句号。小蝶属意乐队萨克斯风手家豪（吴大维 饰），但后者意识到小蝶的前途会远比自己灿烂，遂留下一曲《我和春天有个约会》，消失在茫茫人海……本片根据香港话剧团名剧改编，演员基本由原版话剧班底组成。

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)

香港出现神秘自杀事件, 死者在手机视频直播下自焚而死，而在场唯一的目击者却坚称自己当时失去了记忆，并且否认与自杀事件有关。警察重案组接手调查, 所有证据都指向目击者是自编自导自演， 教唆他人自杀的真凶。由于自杀视频的流出，造成公众恐慌，警队高层希望在证据确凿之下尽快结案，以释公众疑虑，但唯独督察黄一聪觉得事有蹊跷。一聪在请示上司后，决定再次对事件展开调查......