贱女皇后

电影讲述与家人一起前往菲律宾旅行的强力班刑警偶然要去找逃亡到菲律宾的朋友过程中发生的故事

故事发生在抗日战争初期，在冀中白洋淀地区，老百姓们在共产党员黑老蔡的号召下组织起了抗日自卫队雁翎队。他们利用地形优势，合理发挥自身的特点，与日本帝国主义展开了行之有效的游击战。黑老蔡妻子的妹妹杨小梅在家饱受丈夫张金龙的虐待，她再也无法忍受这样的折磨，于是逃跑投奔姐夫。在训练班里，她和农民牛大水彼此渐渐产生了好感，而张金龙一度为了找回妻子加入训练班，却最终无法改掉自己的恶习，甚至投奔敌人成为一个汉奸。日寇的扫荡开始，敌我双方发生激烈碰撞，而小梅、大水以及张金龙也将在斗争中走出不同的道路……本片根据袁静、孔厥的同名小说改编。

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

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