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先生罗杰·霍布斯渴望和他妻子佩吉单独去海滨度假，离开日夜面对的工作和忙乱的家庭生活。而他的妻子则渴望整个家庭一起。当然最后问题解决了：妻子赢了，全家一起去了海滩度假。但是在那里新的问题又在不断产生，整个假期祸福掺半……

1941年，太平洋战争爆发，日本海军偷袭珍珠港成功，继而在战争初期，一度掌握了太平洋战场的主动权，为了打开美军的石油封锁线，日本进攻太平洋上的美军大型基地中途岛，此次由于情报失误，日本海军损失惨重，并从此在太平洋战场走下坡路，从而导致在这场战争中最终失败的命运。

坂口健太郎饰演的是可以看到不在此处的“某人的想法”的青年未山。借助这一不可思议的能力，他治愈着因身体不适而烦恼的人、怀有创伤的人，一边贴近着身边的人，一边与恋人、护士诗织（市川实日子饰演）和她的女儿美美（矶村アメリ饰演）过着平静的生活。某天，未山开始感受到不同于以往的 、从未体验过的强烈的想法。来自于高中时的后辈、远在东京活跃着的音乐人草鹿（浅香航大饰演）。为确认想法背后的真意，未山来到草鹿的演唱会现场，与他面对面。草鹿总算说出了过去未山与恋人莉子（斋藤飞鸟饰演）所遭遇事件的来龙去脉。未山与自此事件后从未见过的莉子重遇……因莉子而解开了未山的秘密。他究竟是从何而来的什么人呢？

Directed and edited by Esfir Shub. A devastating chronicle of Tsarist Russia from the eve of World War I until its brutal demise in the revolutions of February and October 1917, The Fall of the Romanov Dynasty comprises hundreds of films that Esfir Shub unearthed and rescued from damp cellars and other neglected corners of the Soviet Union, including newsreels and home movies taken by the Tsar’s own cameramen. Using the film splice as a cudgel, Shub contrasts the Imperial Family in opulent ballrooms, regal processions, and garden tea parties with the backbreaking toil of the masses, a bitter satire that makes the Revolution seem both historically inevitable and triumphant. One of the great pleasures of this Vertov retrospective is rediscovering the work of certain largely forgotten women filmmakers of the Soviet avant-garde, including Elizaveta Svilova, Vertov’s editor and wife, and Shub, who pioneered “found footage” cinema and was instrumental in the development of dialectical montage, collaborating with Sergei Eisenstein on the shooting scripts of Strike and Potemkin. (from moma.org)