保拉的诱惑

1936年夏，爵士乐手波多野四郎（风间杜夫 饰）带着新婚妻子玛丽亚（松坂庆子 饰）来到大都会上海。四郎谎称次日转船前往法国，实则希望留在上海学习爵士乐。二人投奔四郎在上海的好友——小号乐手松本亘（宇崎竜童 饰），却卷入一场爱情纷争之中。为了帮助松本及其爱人林丽珠（志穗美悦子 饰），夫妇俩决心留在圣路易斯夜总会演出赚钱。松本和波多野的演奏精湛，玛丽亚和林丽珠的歌喉舞姿又倾倒无数观众。在上海的这一年时间，他们结交了众多热爱爵士乐的好朋友，松本也终于和林丽珠喜结连理。然而就在1937年，战火终于在这片充满欢乐的土地上点燃。两对情侣及其好友们将面对各自的坎坷命运……本片根据斎藤憐同名戏剧原作改编，并荣获1985年横滨电影节最佳女配角殊荣（志穗美悦子）。

忠修（李文植 饰）接收到了新的任务：帮助DG集团总裁找到他当年的初恋女友。总裁提供的唯一线索是女友出身于东百岛，于是忠修匆匆出马，不巧半路遭遇暴风雨，他与在客船上结识的漫无目的寻找灵感的青年作家（李汉奎 饰）一起被卷上了故地——麻婆岛。忠修与五位老相识重逢大喜过望，这几位老妇也依然精力充沛，唯独会长夫人近来为老年痴呆症困扰，失去了跟外界联络的忠修只得反复向其说明情况。游手好闲的忠修再次被整治，因赌牌输掉了六年劳作时间，只得再一次为老妇们工作。正当忠修把任务抛诸脑后之际，他惊闻麻婆岛和东百岛本就是一处，而这次寻人任务因涉及遗产纠纷，实际危机重重。究竟总裁初恋是岛上的哪位老妇？忠修的任务能顺利完成吗？

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

16 歲的男孩小樹，蹺家、逃學、在街頭被霸凌，因為無法面對自己的困境，認為自己是個垃圾，於是逃到廢棄城，歡喜地讓自己變成垃圾，安逸地躲在廢棄城。小樹唯一的朋友阿袋，是個 30 歲的破爛塑膠袋，卻從來不承認自己是垃圾，認為自己是個男孩，想盡辦法要逃出廢棄城，立志率領眾廢棄物逃離，尋找族人傳說的回收場，開始自己想像的人生。要逃出去，阿袋必須對抗鐵甲垃圾車，所以阿袋需要小樹的幫助，然而留戀廢棄城的小樹，想把朋友留在身邊、留在廢棄城，於是表面上答應幫阿袋，私下卻通風報信，企圖暗地破壞阿袋的逃離計畫，不料，小樹的背叛，導致阿袋逃亡時被捕，面臨唯一死刑要送進焚化爐，朋友不但留不住反而要永久分離，小樹驚覺闖了大禍，在強烈的罪惡感煎熬下，小樹必須冒死救出阿袋，展開二度逃亡。小樹力抗鐵甲垃圾車，隻身救出阿袋，終於逃離廢棄城，逃到了臺北市，並且護送阿袋到達族人傳說中的回收場，離別的時刻真正來臨，小樹看著阿袋與眾廢棄物走進回收場，找到再生的機會，踏上人生新的旅程，小樹也開始捫心自問自己的回收場在哪裡？自己再生的機會在哪裡？小樹期待未來如果重逢，他們都已經擁有嶄新的人生…