真探第一季第二集未删减

Sir Charles Baskerville dies at the entrance of his manor, and Doctor Mortimer says he died of natural causes. However, when telling Sherlock Holmes of the case, he feels Sir Charles' death was a result of a centuries old curse that runs in the Baskerville family, which Dr. Mortimer feels will strike at Sir Charles nephew, Sir Henry, who is arriving to claim the Baskerville estate. Holmes sends Dr. Watson in his place, along with Dr. Mortimer and Sir Henry, to the manor and for Watson to keep an eye out for any suspicious actions. Immediately after arriving, Watson notices the queer occurrences at the estate and surrounding moors, and sends Holmes reports of what is going on concerning the life of Sir Henry. Will Holmes arrive in time to unravel the mystery, and who is responsible for Sir Charles' death and the attempted murder of Sir Henry? Is it Dr. Mortimer, neighbor Stapleton, butler Barryman, harmless old Frankland, a mysterious wild man, or is there a curse on the Baskerville family? Very good opening entry in the Rathbone-Bruce Holmes series (even though this film lacks qualities of any ongoing entries.) The film could have been a bit more darker and foreboding (the film does have a movie studio set feel) and have an ending with a little more confrontation to it, but it does provide for much fun. The romantic scenes with Greene and Barrie have little spark, but there are very good red herring performances by the cast, which is a plus for this movie. Rating, 8.

马本诚（张丰毅 饰）是个非法入境的“逃港者”，他因打人被判入狱八年，出狱后闻言老母去世和妻子杜霞（吴家丽 饰）提出离婚，万念俱灰的他自杀未遂，却落得终身残疾。返回大陆后，举目无亲，他四处寻访再婚的杜霞，杜霞的哥哥杜伟（秦沛 饰）找人来痛打一顿这个曾经的小舅子。马本诚把杜的表侄小征（肖俊琨 饰）扣做人质，逼杜霞露面。从此，一大一小的两人成了朋友，流浪人群出没的地方都留下了他们的身影。一日，为救横卧在铁轨上的拖拉机，本诚拖着残疾的双腿迎向飞奔而来的火车，小征却滚下陡峭的路基。在医院里，杜霞告诉本诚，小征是他的亲儿子......

遭到友人設局而欠下大筆債務的張父，逼不得已帶著一家四口承租花蓮的一處 凶宅，此處過去曾發生了駭人聽聞的五子命案。初入凶宅的當天，一些若有似無鬼影幢幢，加上張父突如其來的搬家舉動，惹的張母與大姊心裡不愉快。即使向張父抱怨，鐵齒的張父以一貫不信鬼神的態度，予以拒絕。張母與大姊逐漸察覺張父欠下債務，躲避討債集團的真相。同時，當年偵辦五子命案的警員胡老上門，瘋癲的模樣，嘴中不斷唸著九月四日的詛咒，說在當天將會發生全家滅門的慘案。警告張家人趕緊搬走。加上小弟身上莫名的發燒與對看不見的對象講話的行徑，加深家人對這棟房子的恐懼。然而張父依舊以一家之主的高姿態，不予理應。直到張父某夜，被一樓老是發出怪聲的後門所吸引，下樓時，真正的親眼撞見五子一家七口出現在餐廳，嚇得落荒而逃……

2017年，李一凡开始拍摄杀马特。他从深圳开始，在深圳、广州、中山、惠州、重庆、贵阳、黔东南州、黔西南州、毕节、安顺、昆明、大理、玉溪、曲靖，以及红河州，共计完成杀马特采访67个，网络采访11个。在拍摄期间，李一凡又从杀马特和其他工人手中，通过直接购买手机视频等方式，收 集了工厂流水线及工人生活录像915段。这是一次详实且残酷的调查梳理行动。五颜六色的头发下面，李一凡重新检讨了城乡关系里，关于社会底层工人的生存代价和权利困境的根源。当越来越多的杀马特消失在人们视线里，而曾经或依旧是流水线工人的他们，和今天仍然不断涌入城市的打工者一样，依然面临着实质上的权利不平等，依旧笼罩在制度性排斥的阴影里。杀马特音译自英语“smart”一词，泛指一种中国城市年轻工人中曾经风靡一时的亚文化潮流，以夸张而廉价的服饰、发型著称。艺术家、纪录片导演李一凡花费数年时间实地接触和研究“杀马特”群体，最终用访谈和工厂场景创作出一部长片，并在展览现场用数百部二手手机播放购买自工人自拍的生产场景。李一凡将展览视为一次让美术馆观众看到另外一个社群的机会，在长片中他借用年轻工人的陈述，描绘出杀马特形成的条件、变化，及如何在舆论暴力下走向式微。在项目中，他始终是以无知者的角色进入，随后逐渐发现杀马特的遭遇，来自于年轻工人的孤立处境和与城市主流生活之间的疏离，并把项目看作是对杀马特一词祛魅化的过程。这与他一贯的立场保持一致，即认为在中国的现状下，艺术创作应当基于对社会生活的直接体感，才能因现实本身的超越性，获得足够的创造力。