嘘!禁止想象

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur film-making.

原作コミックス「カードキャプターさくら クリアカード編」第3巻DVD付き特装版の発売が決定しました。2018年1月からのTVアニメ放送に先駆けて、「さくら」の新作アニメーションが「封印解除」――！PVも公開中です。「さくらカード編」と「クリアカード編」をつなぐストーリー、ぜひご期待ください。

早年丧妻后，老汉又当爸又当妈将儿女们拉扯成人，哪知三个儿子成家立业他自己变成糟老头时，儿子们开始比赛不孝，他成了没人要的皮球。想想乌鸦尚有反哺之恩，老汉悲从中来，决定一死了之。幸亏已远嫁他乡的孝顺女儿及时赶来，老汉保住一条性命。女儿想出让三个哥哥尽孝的办法：夜里，她搞大声响在院子里挖东挖西，并故意在地上留下几个钱币，引来三个哥哥的一番联想后，又大声和爸爸商量说要带着包着宝物的红枕头上路。这下，以前被他们当皮球踢的爸爸成了财神爷，三个家伙又开始比赛“孝顺”。