韩剧黄金鱼

谢君雅是个热爱棒球的高中少女，因天生阴阳眼而不堪其扰。去道场修行不但没获改善，反倒信众不停上门求诊。灵媒工作让君雅没了时间练球，尽管红包收得再多，这位神算内心在意的却是：棒球队学长到底喜不喜欢我？

大学生张榆（金焰 饰）因不满家中为自己安排的包办婚姻，从老家东北逃往了上海，投身电影界，哪知道误打误撞之中成为了明星，主演爱情片的他自然成为了诸多妙龄少女心目中的男神。九一八事变之后，局势紧张，娱乐业低迷，张榆的事业一落千丈，一天，他接到了一通神秘的电话，电话那头的女子建议张榆改变职业方向，振作爱国精神。原来，电话那一头的不是别人，正是张榆当年的逃婚对象周淑贞（阮玲玉 饰），如今，她成为了上海电话公司的一名接线员，受到周淑贞的感化，张榆投身前线，展开了抗日工作。在战斗中负伤的张榆被送进了医院，负责照顾他的恰巧就是周淑贞，在日复一日的陪伴和照料之中，张榆对周淑贞产生了真挚的感情。

冼慧珠的男朋友为了顺利迎娶名门小姐，遂用计将她杀害，还请法师把她的灵魂封锁，使她不得超生。但逃离现场时，法师失误把法器打碎，把令冼的灵魂释放。之后，自杀未遂舞蹈家卢玲在前往参加表演的途中，不慎弄破冼的骨灰盅，之后各种怪事发生在她的身上，原来是冼借用她的躯体，意图向所有仇人报复...

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)