〈事件現場製造〉由長期合作的夥伴陳琬尹撰寫劇本。透過一個謀殺案件中的槍手吳敦，我們從這位殺手不尋常的多重身分——電影人、劊子手、幫派份子、愛國者，嘗試捕捉台灣政治史中的集體潛意識。1984 年，美籍台裔作家江南，在美國自宅遭台灣殺手槍殺離世。事後由於美國當局的介入緝查，此案件最終被證實為是台灣情報局與台灣黑幫竹聯合作的政治謀殺案。最後，台灣政府向江南的家屬協商，與其家屬簽訂了保密協定，其中包含不得以「電影」形式公開案情。這件作品的主角吳敦，即是當年開槍的殺手。在案情曝光後，台灣當局受美國壓力，吳敦被判處了無期徒刑，服刑六年後獲大赦出獄。出獄後的吳敦仍是竹聯幫的重要幹部，同時也以製片人身分成立了電影公司並拍攝多部電影，其中也包含了許多「武俠片」。而在這次作品中，我們重返過往吳敦曾使用、而現已廢棄的電影製片廠拍攝武俠片段，並與一個特殊的 3D 掃描公司——刑案現場中負責鑑識掃描工程的團隊——合作製作動畫，並由演員、掃描團隊共同重現其工作場景。製作單位：法國國立當代藝術工作室This work is a cooperation with my long-time collaborator, scriptwriter Chen Wan-Yin.Starting from a gunman involved in a murder case, I seek to reflect the collective unconscious within society and politics through the gunman's multiple peculiar roles—a filmmaker, a killer, a gangster, and a patriot.In 1984, when Taiwan was still under Martial Law, a Taiwanese American writer Henry Liu was shot to death in his own house in the US by a Taiwanese assassin. Afterward, due to the intervention and investigation of the US government authorities, this case was eventually confirmed to be a political murder jointly committed by the Military Intelligence Bureau and the biggest mafia United Bamboo Gang in Taiwan, as the government paid the mafia to kill Henry Liu. In the end, the Taiwanese government negotiated with Henry Liu’s family, who signed a non-disclosure agreement, part of which prohibited the revelation of the case in the form of cinema.The protagonist of this work, Wu Dun, is the assassin who fired the shot at the time. After the case was exposed, the Taiwanese authorities were pressured by the US, and Wu Dun was thus sentenced to life imprisonment. However, he was given amnesty and discharged from prison after six years. After he got out of prison, Wu Dun remained an important member of the United Bamboo Gang, and he established a film company as a producer with the support of his mafia influence, making several “wuxia films” – refers to specific traditional Chinese swordplay films. In the genre of “wuxia film,” the story of the conflicts between a government and local gangsters has often been the main theme, along with a strongly nationalistic ideology. In this work, I revisited the film studio that was once used by Wu Dun and is now deserted to recompose the fragments of the political assassination and the scenes of wuxia films, and I cooperated with a 3D scanning team—their job is to provide forensic scanning service at crime scenes—to make a digital double of Wu Dun.Produced by Le Fresnoy – Studio national des arts contemporains

能力越大，责任越大。蜘蛛侠彼得·帕克（安德鲁·加菲尔德 Andrew Garfield 饰）在全力和犯罪、灾难做斗争的同时，终于迎来了毕业的时刻。可是曾经的一段心结，让他和女友格温·斯坦西（艾玛·斯通 Emma Stone 饰）的关系降至冰点。格温应聘于为全城提供电力的 奥斯本集团公司，同一期间发生的两件事，不由得左右这家公司和彼得等人的命运。奥斯本的掌门人病故，他的儿子哈利（戴恩·德哈恩 Dane DeHaan 饰）以20岁的年龄接受这家市值2000亿美元的巨无霸。另一方面，极度崇拜蜘蛛侠的电力工程师麦克斯·威尔·迪伦（杰米·福克斯 Jamie Foxx 饰）在维修机组时意外身亡，当他再度醒来时发现自己变成了全身充满电能的超人类。感到受了欺骗的麦克斯与蜘蛛侠在时代广场展开对决，而彼得和哈利的友情也将遭到命运的戏弄……

麦考尔（丹泽尔·华盛顿 Denzel Washington 饰）是一名已经退役的黑色行动突击队队员，常年浸淫在充满了暴力和危险的生活中，麦考尔的内心早已经疲惫不堪，为了脱离组织，他大费周章伪造了自己已经死亡的假象，来到了波士顿，改头换面，隐姓埋名，企图能够过上平静安宁的新生活。一次偶然中，麦考尔遇见了被俄国黑帮控制的雏妓泰利（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰），女孩坎坷的身世和危险的现状博得了麦考尔的同情，他决定帮助这个可怜的女孩。然而，在解救泰利的同时，麦考尔自己也陷入了黑帮强大的火力之中，对警方的昏庸和腐败失望透顶的麦考尔决心挺身而出与体制对抗。

《有家小店叫童年》是的《温暖电影院》系列影片中的亲情篇，由贾樟柯导演。21年前，故事主人公余晶的爸妈经营了学校旁边的一家小店，一家人吃住都在小店，这是余晶的家，也是余晶和小伙伴们的乐园。那几年，小镇上的人流行去南方打工，留下孩子跟着爷爷奶奶生活。余晶的爸妈本想去南方发展换来更好的生活，却最终被余晶和她的小伙伴们留了下来，一家人守着小店，过着平凡却温馨的生活。直到余晶大学毕业，在北京打拼两年后最终还是决定回家接手小店的生意，陪着父母和孩子一起守着小店，也见证更多孩子的成长。