Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

莎朗修女（简·西蒙斯 Jean Simmons 饰）正在进行她巡回传道的旅程，在途中，她遇见了名为埃尔默（伯特·兰卡斯特 Burt Lancaster 饰）的男子。埃尔默是一个精明狡猾的投机分子，在莎朗修女的身上，他看到了商机。以在海边建立教堂为由头，埃尔默说服了莎朗和他一起赚钱，很快，单纯天真的莎朗就不可自持的爱上了埃尔默，甚至为他献上了本应该献给上帝的身体。可是没过多久，埃尔默就厌倦了莎朗，狠心的将她抛弃了。露露（雪莉·琼斯 Shirley Jones 饰）是牧师的女儿，在得知了莎朗的悲惨遭遇后她深表同情和愤怒。为了报复埃尔默，露露想出了一连串的计谋，并且最终令埃尔默身败名裂。

《打过长江去》以渡江战役为背景，再现了新中国成立前的关键时刻，人民解放军一支先遣分队潜入江南，打进虎穴斗智斗勇，命悬一线却与各种敌人殊死斗争，为祖国统一而舍生取义、无私拼搏， 最终配合百万大军过长江，将红旗插遍中国。

结束了一天的劳作，小老鼠杰瑞下班回家。他通过暗道来到收音机前打开旋钮。顿时激烈奔放的音乐响起，接下来他依靠在自家的沙发前，优哉游哉看起了报纸。少顷，汤姆也下班回家，他坐在沙发上看报纸，随手关掉了吵闹的音乐。由此，两个小家伙发生分歧。正在此时，收音机插播一条快讯，马戏团一只狗熊逃了出来，这只狗熊不会伤人，唯一的特点就是听到音乐就会跳舞。狗熊路过汤姆的家，他跳的院子里，找来一只苹果大快朵颐。汤姆发现了这个家伙欣喜过旺，正打算打电话通报领取奖金。谁知气愤的杰瑞刚好打开音乐。听到音乐的狗熊兴高采烈，拉着汤姆跳了起来。也因此，一段好玩有趣的故事上演……