汤姆·克鲁斯在片中饰演一名在事业上野心勃勃的年轻大学生，企图在纽约的商界出人头地，但在找工作时到处碰壁，只好临时委屈自己当酒保。在调酒老手布赖恩·布朗的调教下，汤姆竟然成为纽约酒吧界的顶尖酒保，大受客户的欢迎，而且得到美女伊丽莎白·舒的青睐。他是否甘愿就此平凡过一生...

*Shinjuku Mad* was one ofKoji Wakamatsu's six films from 1970. Grim and gritty, stark and steady, burdened with anti-moralizing, generously padded with sex, and totally redeemed by a soundtrack that needs to be released NOW. I knew nothing about this film, loading it up on to my laptop, and every last one of this film's sixty-sixty minutes kept me riveted.Bear with me. The film opens with the band cycling through a jazzy rave-up, the black and images depict dead Japanese throughout a modern city. From the alleyways of the slums, to center of the park, you catch glimpses of bodies everywhere. This introduction is capped off by a lingering shot of a blood-soaked naked woman, face down. By this point, the band has reached a sort of peak. There's a cut, the band changes the direction of the song a bit, and then we're treated to a series of exterior shots from downtown, the lunch hour, maybe. You see a lot of storefronts and stairwells, people moving about. All of the people in these splices are done in negative image.What follows can only be described as harrowing. After the credits, the reel switches to color. We're treated to the on-screen stabbing of a young man in a toga, his attackers strip his special lady-friend of her toga, spend about two minutes smearing her breasts with still-warm blood, and then take turns raping her. She doesn't seem to put up much of a fight. The scene is lensed with all of the enthusiasm of a television spot for a whole foods market.Well, that's a fucked up way to start a movie. If you're still reading, I'll have you know the brutality eases up a little, but the camera's tendency to seek out each scene's more lurid details is relentless. The band never lets up, either. Another constant feature of the film is the protagonist's alienation from society. That's a pretty dated-concept, in a way. This film is cashing in on what could loosely be called the Existential demographic in 1970's Japan. Parts of it could have been written by Oe. Others by Mishima. It definitely, at times, addresses a bit of that lingering air of revolution, but more on that later.The father of the kid stabbed in Technicolor shows up in the nest reel, in the same apartment his son was murdered in. This confused, grieving father asks a totally baked Shoko Asahara for information about the events leading up to his son's death. The long-haired no-goodnik is toking on a Sharpie-sized doobie. He gets so fucking high he passes out and the dad is left there in the empty apartment, getting a major contact-buzz.So, the plot is basically that kind of exchange in larger and larger settings, intercut with glorious shots of the disillusioned father walking through industrial slums. The father, searching for the "Why" to his son's death goes on his quest and pisses just about everyone he comes into contact with off. He goes into subway stations and totally kills some beatniks' buzzes. Then he bullies a Hare Krishna ROCK AND ROLL SUPERSTAR and his belly-dancing percussionist at a park. Then he heads off to a bar, and we're treated to what must have been Tokyo's Greatest Garage Band getting low-down and sleazy here. This scene pretty much sums up what the film is about. As you dig the scuzz and the fuzz, the camera catches all manner of degeneracy and wanton reefer-use. And the bar has no less than three groups of people making out. And they get excessive with the groping.Eventually, the father catches the ringleader of the vicious band of murderer-rapists. "Shinjuku Mad," is his name. After an unbelievably long and convoluted exchange between the protagonist and Shinjuku Mad, it comes out that Mad and the boys are rebelling against all of Japan. It's open season on everyone but them. His son was only a casualty, nothing personal. Their intent is to go on rebelling against society through random acts of violence against people and property.After going through all the trouble of finding Shinjuku Mad, the old man's mind is blown by revolution for revolution's sake. After a few pummellings, he manages to turn the fight around. He winds up leaving with a nude girl that had been tied to a post for the entire scene.He goes back to the apartment his son was murdered in to find his special lady-friend naked with six other dope-smoking cats grooving on free love and blue balls.He decides he's happier with Shinjuku Mad alive and kicking, the band is at another one of its high points, and the camera pans out to the railroad yard, telephones wires, and the bare sides of modern buildings.That was Japan, thirty-seven years ago.

这一天，汤姆和杰瑞之间爆发了一场声势浩大的大战。汤姆一路追逐，将小老鼠赶进了地下室的洞中。杰瑞躲在掩体后，自然不会放过死守洞口的敌人，于是用老鼠夹子发射了一枚西红柿，跟着又爬上制高点丢下一大鸡蛋。汤姆被突然到来的袭击打得措手不及，他四处逃窜，慌不择路。而杰瑞愈战愈勇，将香槟一字排开，酒瓶塞如炮弹一般呼啸着射向汤姆的脑袋。汤姆当然不会就此认输，他再次杀向前去，而他的对手如此聪明，早已想好各种妙招对付他。杰瑞甚至还用芝士锉（cheese grater）做了一辆战车打出漂亮的防守反击。他们的战斗逐渐升级……本片荣获1943年奥斯卡金像奖最佳动画短片奖，也是Tom and Jerry系列获得的第一个奖项。

"剧情介绍：少女徐玉贞不满母亲与黎成相恋，父亲临终时她又未能赴院。玉贞在酒吧打伤轻薄她之青年，自动要求入女童院。徐玉贞初到女童院时与旧人马碧珊等不和，常被戏弄及殴打，后来她打篮球表现超卓，态度又合群，众人遂接纳了她。女童院院长杜树仁以积极怀柔态度处理人事，更安排时装设计表演，以争取社会认同。徐母生意失败，求救无门而自杀，徐玉贞遂与马碧珊等逃出女童院去解决各自之问题。马碧珊生下孩子后才被判入女童院，孩子乏人照顾病死，马找到旧男友阿添追究责任，用刀刺伤了他。徐，马等人四处找寻徐母旧男朋友黎成报复，终于在酒店之中与其它逃跑之院友合力打伤黎成，但马却不幸被女院友误刺死。杜院长赶到酒店，见死者，伤者被捕或被抬走。他对传媒点出边沿少女出现之种种社会不良因素。最后杜院长见到杨小娇离开女童院后找到工厂工作，自食其力，重上正途。机缘巧合 中女变身梁巧芝是年过三十的职业女性，虽不是天姿国色，但基本条件已算不俗，无奈偏偏没能遇上真命天子。她在工作上处事圆滑，对客人态度和善，然而真实的她却与一般人所谓的“港女”不遑多让：挑剔、刻薄、高傲、小家子气，与年轻少艾势成水火。但眼看身边的人拍拖、结婚，受尽冷嘲热讽，心中越不是味儿。绝处逢生，机缘巧合之下，巧芝竟然获得超人异能，不但能上天下海、力大无穷、快如闪电疾如风，她的样貌身材也起了意想不到的变化─她变成拥有完美外在条件的美女超人。正因为这个不为他人辨识的身份，巧芝救弱扶危之馀，更先后遇上三个香港硕果仅存的好男人，并与他们发展出三段叫人难以取舍的感情关系。三段感情 难以取舍杨浩然是警队中的明日之星，有望成为史上最年青的警务处处长，最能表现男性刚阳的一面，体魄强健的他，不单保护香港市民，更能保护自己的伴侣。凡女士生活中最为头痛的困扰，对这名警队猛将来说都是举手之劳。而我们的罪恶克星更通晓各式运动，生活健康、环保，多姿多采，对感情忠贞，对伴侣有承担。可是他犯了男人大忌─性格有那麼一点点“大男人”。结果，一个要面子的男人，如何与英勇能干的女超人相处，实在令人头痛。徐永晖本是个平凡打工一族，对巧芝心仪已久，但因为性格柔弱，故一直未为巧芝垂青。之后，永晖被揭发传奇身世，竟然是富豪私生子，更卷入豪门争产斗争之中。一夜暴发成城中巨富，耳濡目染下，性格迅速成熟成长，成为巧芝眼中真正的钻石王老五。但昔日善良的小男孩，如今变得唯利是图，于爱情路上，巧芝又能否接受一个为人奸诈的男人？电影名称：飞女正传外文名：Teddy girls其它译名：问题家庭出品时间：1969年出品公司：香港荣华影业公司制片地区：中国香港类 型：剧情片 长：111分钟上映时间：1969年4月3日对白语言：粤语色 彩：彩色职员表：制作人： 戚其义监制： 吴荣华导演： 龙刚编剧： 林年同、金炳兴、龙刚摄影： 赵洪配乐： 王居仁剪辑： 杨柏荣灯光： 古友录音： 邝护布景师： 陈景森发行： 香港电视广播有限公司制片：李嘉恩；吴添丁策划：吴添丁化妆：李炳南演员表：角色 演员 备注徐玉贞 萧芳芳黎成 龙刚徐母 夏萍杜树仁 曾江马碧珊 薛家燕杨小娇 沈殿霞阿添 伊雷杜嘉慧 王爱明杜太 上官玉领班 蓝天法官 骆恭马母 许莹英阿慈 黎雯其他演员：孟莉、叶青、郭曼娜、谭安娜、杨业宏、西瓜刨"