初代奥特曼回顾作品，最终战改成由奥特曼亲自消灭杰顿。

罗紘武（黄觉 饰）因父亲离世再次回到贵州。12年前，好友白猫（李鸿其 饰）被杀，罗紘武在追查凶手左宏元（陈永忠 饰）的过程中，被凶手的情人万绮雯（汤唯 饰）所利用。从此以后，这个神秘的女人构成了他所有的记忆、欲望、信念和梦魇，一段追寻之旅让他发现了被隐藏多年的秘密……

制片机构：中国大陆导演：于得水编剧：截江主演：马崇乐 胡琳琳 普超英 张怀志 罗玲2剧情介绍编辑解放前夕，绿竹环抱的广东潮汕一个乡村里。贫苦农民天赐自幼丧失了父母，在地主的皮鞭下长大成人。一次，他在替地主收租时，因同情夏兰她的母亲，暗地留下一些口粮，被地主发现后打得几乎丧命。曾受兄弟托孤之命的叔父阿发，在天赐危难时，把他从地主家赎了出来，从此，天赐脱离了苦海，成了叔父家中唯一强壮的劳力。天赐到了该成家的年龄，在叔父的安排下，他前去相亲，对象恰是急欲摆脱乡长威逼的夏兰。可姻缘未定风波又起，夏兰落入虎口，天赐仓惶逃脱。数年后，潮汕发生灾荒，到处是难民。天赐在阿叔怂恿下，又去相亲。他被"人贩馆"的老板轻易骗入圈套。洞房之夜，才发现新娘不是自己相中的姑娘，而是中年寡妇立才妈。天赐十分愤怒，立才妈见状大惊，要带着儿子去死。他们的悲惨遭遇打动了善良的天赐，终于承担起这不和谐的婚姻。天赐和立才妈的辛勤劳动，为阿叔家积攒了不少收入，两人也在共同的劳动生活中建立了感情，成了恩爱夫妻。解放以后，天赐一家分得了土地，生下了女儿双喜，他们和全国农民一样，翻身过上了好日子。可是，生活的道路上又出现了波折，立才妈收到前夫的来信，说他并没有死，指望着母子二人回去团聚。这消息如同晴天霹雳，把天赐和立才妈打入了痛苦的深渊。天赐经过痛苦的思想斗争，终以善良的心愿，把立才妈母子送上了归程。立才妈走后，天赐带着幼女双喜一起生活。这时，夏兰已经是阿叔家守寡多年的儿媳妇，她对天赐一直怀着报恩的想法。她主动帮助天赐父女二人，并大胆地向天赐表露了自己的爱慕之情。在天来的开导和新婚姻法的保障下，天赐和夏兰终于冲破了封建宗法观念的束缚，结合在一起。

Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.