恍如世界末日一般，洪水席卷地球，世界变成一片汪洋，空旷而孤寂。一位老人孤独地生活在这个世上，或凭栏远眺，或看看电视消磨时光，几无可以交流之人。水位不断上涨，老人只能不断加盖房子，宛如摞积木一般，房子有如矗立在深海中的巨塔。在搬运家具时，老人的烟斗不慎掉落水中，更顺着层与层之间的通道掉落下去。烟斗有着他和老伴共同的回忆，老人决心潜水取回烟斗，但是这一举动似乎打开了记忆的闸门，往日的回忆不断涌现。老人无法自已，一层层向下沉去，寻找那些早已沉在海底的珍贵记忆……本片荣获2009年奥斯卡金像奖最佳动画短片奖。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

大卫的爷爷在过81岁生日时许下了一个心愿，愿自己能重返18岁。一次，爷孙俩在车上嬉戏出了车祸，结果爷孙俩的年龄互换了，老人成了大卫，并到大学里重新体验了年轻人的生活。

《永久居留》是同志导演云翔计划的“极限三部曲”之第一部。因为不相信自己能活过30岁，Ivan（李家濠 饰）很早就加倍努力於自己的人生，在事业上获得了一般男人无法企及的成就。然而他在健身房邂逅了Windson（洪智杰 饰），一个无论在外型、志趣、谈吐都深深吸引他的男子。如热恋中的情侣般，两人热切而大胆地探索著彼此，运动、拳击、旅行、拚酒，感受著那份无可替代的激情与共鸣。而Josh（周德邦 饰）总能提供Ivan在Windson身上无法获得的温暖和慰藉。在Ivan三十岁那夜，当所有深爱的人都离他远去的绝望时刻，他与Ivan做了一个秘密而「永生」的约定……历经数度生死离别，避居到世界最偏端的Ivan，原以为此生不会再见到Windson，却没想到在那里等待著他的，竟是一个永恒和心碎的诺言……