Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter.Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

After some tragedies, a couple moves back to her childhood home. Robert discovers an old portrait of a man who looks like him, he goes down a rabbit hole to discover the identity of this mysterious doppelganger.

阳光多么明媚的一天，如果能逍遥自在度过该多好。可是汤姆和杰瑞这对冤家似乎从来不知该如何享受生活，他们辜负了大好的阳光，在房间内展开了疯狂的追逐战。两个小家伙的速度越来越快，俨然变成了飞驰的跑车。结果汤姆来不及刹车，狠狠地撞在墙上，变成了板凳。稍后他打算把墙锯断，最终弄巧成拙，被倒塌的墙拍在下面。追逐战再度开始，谁知杰瑞好像跑圈一样，一遍遍从汤姆身后超过，令老猫大为诧异。少顷，他们的战斗移到户外，竟然在高楼大厦的窗户外追杀起来。惊险的场面接二连三发生，这两个不要命的小家伙啊……

一对有着创业头脑的夫妇决定在一个交在宜人湖的废弃营地里开设一个恐怖主题营地。这个营地20 年前曾发生过可怕的事情：一位小女孩在这里被绑架，她的父母也被残忍杀害。这对夫妇按照计划开设了他们设想的营地，可没有想到危险与恐怖也悄然接近。