Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

一个30岁的男人前往一座偏远的小屋，与疏远的父亲重新建立联系。

Can and should we distinguish the artist from his actions? That’s probably the question many fans have asked themselves about XXXtentacion, the uncrowned king of emotional Soundcloud hip-hop. He could literally beat his girlfriend with one hand, while with the other hand on the phone he could connect deeply and sincerely with his fans about depression and suicidal thoughts. Janseh Onfroy himself barely managed to grow up to become one of the most streamed rappers of his generation before life in the fast lane came to an abrupt end at the age of 20. Through his own footage and conversations with the people around him, we learn how a life of childhood violence, substance abuse and bipolar disorder paved the tragic way for his success and his unforgivable behaviour.

电影以“时代楷模”卓嘎、央宗姐妹父女两代人爱国守边的先进事迹为题材，由中宣部电影局、电影频道、区党委宣传部联合打造，导演张馨执导。曾经在西藏玉麦乡只有桑杰曲巴一户人家。他们抵抗住环境恶劣、外敌骚扰、亲人病逝等艰难困境放牧戍边34年，如同格桑花一般扎根祖国雪域边陲，为祖国守住数千平方公里的国土。