“武汉太危险，最好你不要去”“是不是现在还有很多隐瞒的感染者？”我的日本朋友对武汉有很多偏见。我是作为住在中国的外国人，作为纪录片的导演，特别想去拍武汉，想给全世界介绍真实的武汉。于是我在微博上募集了可以接受我们拍摄的武汉人，然后一百多个人报名了，最后我们选择了十个人的故事。希望通过这部作品让更多的人了解现在的武汉。——摘自导演微博

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

故事发生在不久后的冬天。志摩凛离开故乡山梨，在名古屋一间小出版社上班，自己一个人住。某个周末，她正计划驾电单车出游，却突然收到高中时的朋友大垣千明的短讯：「我现在在名古屋。」千明在山梨的观光推广机构工作，正负责一个计划，要重新发展一个几年前关闭了的设施。 「有这么大一片地，建成露营场不就好了吗？」凛随口说的这一句话，令千明开始行动。各务原抚子现在在东京一间户外用品店工作、犬山葵在家乡山梨一间小学当老师，齐藤惠那则在宠物美容店工作。以前一起露营的几个朋友，一起开始发展露营场的计划。曾因为露营而连结起来的五个人，要挑战她们现在能做的事。户外系女孩们的故事正要揭幕。

本片描述一名纳粹军官战后藏于南美洲，他野心勃勃地希望以科学方法进行人种试验，以便东山再起，使纳粹党重振雄风。但有一名犹太人以缉捕纳粹余孽为其终生职志，于是双方展开了一场惊心动魄的斗智斗勇。 本片快节奏且令人毛骨悚然，是一部颇有格调的间谍悬疑片，气氛处理甚佳。演员阵容强大，格里高利·派克和劳伦斯·奥利弗的表演内敛而有张力，可谓火候老到。