东南亚某国，年轻男子何非（朱一龙 饰）疯狂寻找失踪的妻子李木子，然而当地警局视若罔闻，令他出离愤怒。可就在某个清晨，何非突然发现身边躺着一名陌生女子，更令他毛骨悚然的是，女子居然声称是他的妻子李木子（文咏珊 饰）。慌乱之余，何找来华人警察郑成（杜江 饰），试图揭穿假冒者的骗局，谁知种种迹象表明，对面的陌生人真实不虚。隐隐之中，何非认为妻子被犯罪团伙绑架，他只得求助干练的金牌律师陈麦（倪妮 饰）追索真相。在调查中过程中，细微线索逐渐浮出水面，而更加黑暗的真相也开始暴露在阳光之下……本片改编自前苏联电影《为单身汉设下的陷阱》。

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

2020年，在东京奥运结束后，日本的景气突急速低迷，变成贫穷的弱者能轻易被击垮的社会。被派遣公司当成傻子，领微薄的薪水过着堕落生活的伊藤开司（藤原龙也 饰），某天再次遇见了成为帝爱集团社长的大槻太郎，大槻告诉开司在某位有钱长者所举办的活动中，能够一获千金的机会…

1850德州牧场扎克立家族來了一位流浪汉称扎克立家女儿是印第安凯欧族孤儿，引起凯欧族来此要人，整個问题是因为上一代白人与印第安相互寻仇，白人抱走印第安婴儿回家抚养，而该流浪客的儿子亦被印第安人掳走，向扎克立家族要求以女婴交换其儿子被拒而遭杀害，使其四处追踪迫害，最后水落石出，引起白人和印第安人的交战