白鷺城の暗黒蔵にこもること三年、武蔵は名を宮本武蔵と改め、沢庵に別れを告げて剣の旅に出た。同行を願うお通が約束の花田橋に駈けつけたとき、武蔵の姿はすでになかった。三年後、京は祗園の色里で吉岡清十郎がお甲の娘朱実にうつつを抜かしていた。武蔵の幼馴染の本位田又八は、お甲の名ばかりの亭主だ。清十郎が伊勢に旅立った日、吉岡道場に現れた武蔵は門人数名を敗った。清水坂で武蔵に果し合をいどんだのは本位田家のお杉婆と権叔父だが、武蔵は相手にせず逃げ去ったのだった…。

他，无人知晓，无人关注。盘桓市井街头，尝尽世间冷暖。无论曾经有过多少幸福与甜蜜，而今只如丧家之犬一般。画着违心糊口的劣作，被周围任何一个人欺负以衬托对方的优越感。他怎能坦然处之吗？显然不是，也许只是根本没有宣泄愤怒的资本和借口。直到某天，一名手持DV的女孩出现在他身旁。女孩无所顾忌，如影随形记录着落魄画家的日常琐事，甚至仿佛能够通过镜头照见他的内心世界。画家与女孩，接受彼此命运的引领，开始让心中的愤懑与怨恨如雨后的野草一般疯长。复仇的怒火一经爆发便难以熄灭，所过之处，尸骸遍野，这正是这群人所无法摆脱的共业……

剧情讲述美国陆军游骑兵布里格(查宁·塔图姆 饰)的任务是将比利时牧羊军犬露露从路易斯–麦克乔德联合基地沿太平洋海岸及时带到亚利桑那州诺加里斯，以便及时参加露露训导员的葬礼，一路上人狗间培养出了深刻的友谊。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.