FM의 클래식 음악프로그램 PD인 김병덕은 TV뉴스 캐스터로 활동중인 테레사를 DJ로 기용한다. 그러면서 두사람은 클래식선율이 흐르는 녹음스튜디오의 차단된 유리창 너머로 사랑을 꽃피운다. 술과 음악, 그리고 가정밖에 모르던 김병덕의 외도에 충격을 받은 아내는 가출하고, 자책하던 테레사는 방송국에 사직서를 제출한다. 아내는 다시 돌아왔지만, 이미 김병덕과 테레사의 사랑은 멈출 수가 없다. 그러나 김병덕은 음주운전으로 교통사고를 당하고, 끝내 한쪽 다리를 절단한 채 미국으로 이민을 떠난다. 시간이 지나, 아내와 이혼하고 아이들과도 헤어져 다시 서울로 돌아온 그를 기다리고 있는 것은 이미 수녀의 길을 택한 테레사였다.FM古典音乐节目PD金炳德将担任电视新闻节目主持人的特蕾莎任命为DJ。两人透过古典旋律流淌的录音棚被切断的玻璃窗，爱情之花绽放。因只知道酒、音乐和家庭的金秉德外遇而受到打击的妻子离家出走，而自责的特蕾莎向广播局提交了辞职书。虽然妻子已归来，但金炳铉和特蕾莎的爱情已无法停止。但是金炳德因酒后驾车而发生了交通事故，最终截断一条腿，移民到美国。随着时间的推移，与妻子离婚，与孩子们分开，等待再次回到首尔的是已选择修女之路的特蕾莎。

荣誉：1973年奥伯豪森国际短片电影节银奖导演点评：我先完成了作画，然后请冨田勲先生用电子合成器配了乐。电子合成音乐在当时可是最新潮的玩意儿。

这名演员的事业巅峰已离他而去，但他还一直沉浸在过去的辉煌中，知道一个意外事件迫使他直面现在的自己

典型的早期日式朋克电影，黑白影像+连续而晃动的手提摄影+朋克乐，石井当年就是以此片出道的。。。This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.