因为儿子尹泰宇（元斌 饰）是智障，所以母亲（金惠子 饰）总是担心他受伤。一天，泰宇被一辆奔驰车撞倒，朋友镇泰（秦久 饰）带他去高尔夫球场找打球的教授报仇，结果被带回了警局。因为镇泰踢坏了后视镜，教授向他们索赔，泰宇被当成了挡箭牌。 从警局出来后，在家吃过晚饭，泰宇去找镇泰喝酒，但此时镇泰趁着夜色回到球场找出了白天扔进湖中的球杆。泰宇酒后尾随一个名叫文雅中的女学生，结果第二天雅中的尸体就出现在屋顶。泰宇被当做唯一的嫌疑人带回了警局，接着在警察的威胁下画押认罪。得知儿子入狱，心急如焚的母亲委托著名律师为他翻案。但是，泰宇的病影响了他的记忆，母亲在替儿申冤的道路上步履蹒跚……

当朝六王爷（单立文 饰）勾连土番，意图不轨。陇北节度使截获六王爷通外密信一封，遭六王爷座下两大宠幸刺客之一的“火云邪神”映霞（林青霞 饰）追杀，节度使遇刺前将密信、虎符交托亲弟玄明（莫少聪 饰），玄明避难一杂技班中，班主莲容（吴君如 饰）癫狂泼辣，爱慕玄明却不见容，只得藏起虎符强留。莲容之兄阿镇（巫刚 饰）身为相国护卫，武艺高强。火云邪神行刺相国却不敌玄明阿镇联手，火云邪神为取回密信遂乔装普通民女混入戏班，潜伏日久，被戏班内平和亲切的氛围打动，但六王爷与另一刺客映雪（叶全真 饰）的耐心已到达了极限……

2131年，地球爆发大规模的世界大战，各大主要城市尽成废墟，人们流离失所。讽刺的是，这场摧毁人类文明的大战最终没有任何战胜国。幸存的人类将原来的综合管理机构改造成名为奥林帕斯的基地，以此作为幸存者的理想国。少女琉南•纳兹在一座废弃城市与火力强大的人造人展开激烈战斗，危急时刻，她的前男友布里亚留斯和美丽女孩瞳带领奥林帕斯的小分队赶来营救。布里亚留斯之前在北非战场失去大部分身体，如今也被改造成机械加身的人造人。结束了枕戈待旦的日子，琉南开始迎来平静祥和的生活。她发现奥林帕斯的科技极为发达，而这里相当数量的人类是人造人。这座过分祥和的理想国让琉南心有不安，它的背后似乎隐藏着不为人知的秘密……

Passages from James Joyce's Finnegans Wake 1965 16mm film 90minsThis was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society.Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue.Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.