私立女子高校・聖愛学園の3年A組には、"紅ばら会"なるグループがあった。新たに番長に就任した野中鷹子だったが、父親のスキャンダルによりD組へ無理やり編入させられてしまう。D組には"恐竜会"と呼ばれるグループがあり、鷹子はその番長になるのだが…。女子学園を舞台に、女不良たちの性と暴力を描く"恐怖女子高校"シリーズの第3弾。監督は「カリブ・愛のシンフォニー」などの脚本家として知られる志村正浩。主演は「仁義なき戦い」シリーズの池玲子。共演に叶優子、衣麻遼子など。今作から単独主演となった池がそのグラマラスな肉体を惜しげもなく披露して暴れまわる、ポルノ・アクション・ムービーである。

故事发生在昭和年代初期，一座偏远而又宁静的小镇内，居住着一个名叫富子（小岭丽奈 饰）的女孩。富子是一名公共汽车售票员，每天都搭上同一辆车，走着同一条路线。循规蹈矩周而复始的生活让富子的内心十分苦闷，她对生活和工作厌倦至极。某日，富子的同事艳子死于一场事故之中，然而据传言说，艳子的死并非意外，她的未婚夫新高（浅野忠信 饰）有着神秘的过去，很可能是一名连环杀手。这些非日常的事件让富子内心惴惴不安。没过多久，富子所在的公交公司里来了一个名叫新高的司机，联想到之前的传闻，富子对新高充满了恐惧，却也充满了好奇。

台湾第一部彩色动画长片《封神榜》(The Story of Chinese Gods)最早的雏型来自蔡志忠的漫画,蔡志忠即为本片的角色创作者。至於拍出这部片的导演张志辉,则是由张镇宗、蔡志忠与侯胜辉三个导演联手执导截取每个导演名字其中个一个字拼成“张志辉”。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb