在森林中，兔子们经常受到狐狸和狼的袭击。小白兔（史美明 饰）的家被红毛狐狸（王燕熙 饰）霸占，这让它感到非常愤怒。有一天，当猎人熟睡时，小白兔偷走了猎人的枪，成功将红毛狐狸和灰毛狼赶走了。拥有了枪的小白兔变得自负和骄傲，然而，他并不知道这其实是一支空枪。突然，灾难再次降临，此时的小白兔才得知了一切的真相。幸运的是，在最危机的关头，猎人出现了，他来到森林为小白兔们解决了这巨大的威胁。通过这次困境，小白兔变得更加成熟和懂事。它经历了失败和失望，并最终从中学到了宝贵的教训，变得更加聪明和勇敢。

在一个阳光明媚的日子里，法国戴高乐机场迎来一群不平凡的少年，他们正是日本少年足球代表队的各位，此次他们在片桐德带领下来到欧洲与这里的少年们进行一场友谊赛。迎接他们的是西德职业足球队协会的汉斯缪拉和但当翻译的美丽女孩大泽理加。小翼他们来到训练赛场，意外邂逅明天的对手。对方高傲的态度激怒若林，但是一对一射门时若林旧伤复发，只能由若岛津首发上场。而号称最强的对手施奈德与赫夫纳则端坐替补席，令人捉摸不定。次日，嘹亮的哨声响起，一场紧张刺激的高端赛事拉开序幕……本片根据高桥阳一的同名漫画改编，是该系列动画的第一部剧场版。

The Deserted Archipelago was my first independently directed and produced film. The film won the Grand Prix at the Nyon International Film Festival and garnered considerable attention both overseas and in Japan. The film follows an extremely simple story of a plain boy who matures into manhood while constantly manipulated by nuns. But woven into this narrative are my own experiences and the history of postwar Japan as well as a series of fantasies. The result is a multifaceted and multilayered objet, the birth of a newly sur-realistic filmmaking. On August 15th, the day the war ended, I was in the third year of primary school. That day, when the reality that I had known turned completely upside down, I was saddled with the trauma of no longer being able to believe in anything. Searching here and there for some kind of spiritual salvation, I finally found the existentialism of Albert Camus. From there, I was able to build up my own kind of existentialism and this film is best understood as based in that “Kanai Katsu Existentialism.” The film was praised by European film scholars Max Tessier and Tony Rayns and was screened as part of “Eiga: 25 Years of Japanese Film,” a special program at the 1984 Edinburgh International Film Festival.

改编自亨利·詹姆斯小说《螺丝在拧紧》（The Turn of the Screw），一位男子雇用了一名年轻女家庭教师，来照顾一对骤失双亲的侄儿和侄女，而她发现孤儿的家闹鬼。