能力卓著但作风粗暴的橄榄球队教练怀特（凯文·科斯特纳 Kevin Costner 是），因一次暴力事件而被所在高中开除，而他的“恶行”也使得其他高中对他关上了聘用的大门。万般无奈之下，怀特来到加州一个贫穷偏远的小镇麦克法兰，在当地的高中任职。这座小镇居住者大量来自墨西哥的移民，他们贫穷、粗粝，与大城市的孩子们截然不同。尝试着改掉暴脾气的怀特，只想尽快回到城里，好让妻女的生活得到改善。而就在此期间，他发现了这群墨西哥少年在长跑方面的天赋。为此，他想方设法说服了校长、学生以及学生家长，组建了这所学校第一支长跑队。他的初衷也许只是以此当做跳板，却不曾想因此改变了自己和孩子们的人生……本片根据发生于1987年的真实故事改编。

故事讲述“北腿王”谭道良因遭“地腿王”彭刚的弟弟挑衅，不慎受伤，后结识“南腿王”夏光莉，在其师傅的指点下学习南派“莫家腿”，兼具南北之长。彭为独霸“腿王”称号，杀死夏的师傅，谭与夏为师报分心联手击杀彭，让他临死前终于明白了一个道理——没有任何一个门派可以独霸天下。本片由台湾著名功夫片导演李作楠执导，是神腿谭道良70年代功夫片代表作，他精湛的腿功在影片中得到充分展示。本片情节轻松、幽默，动作设计自然、流畅，更多地表现了腿法的练习和使用技巧，充斥着各类腿法的花招，打得精彩纷呈。谭道良与夏光莉的腿功纯熟，令人赏心悦目，尤其是单脚不落地的连续踢击，简直比手还要灵活，最喜欢看到他们踢腿时从容不迫的样子，时常把脚高高举起停在对手面前，甚至还放到对手头上，如同老叟戏婴儿，潇洒至极。夏光莉以其优美高难的腿法动作令人刮目相看，若是在今天，估计她不会输给号称第一打女的杨紫琼。谭道良更是发挥了自己的全部特长，他那一招左腿连击象煽耳光似的的抽对方的脸，然后接一记迅猛的旋踢，简直空前绝后，令人瞠目结舌。而彭刚的地腿也同样令人大开眼界，极尽跃扑滚翻之能，很少看到有人能伏在地上使出这么多种腿法。三位主演风格各异，全面展示了各种腿技，打斗场面精彩漂亮，又充满了趣味性，而这些只有在港片中才会如此这般不惜篇幅地展现，绝对可称得上是一部功夫片的极品佳作！

日本电影导演萨布首次执导的韩国电影《Under Your Bed》，由李知勋、李允雨、申秀恒出演，将于本月中旬投入拍摄。

A once promising baseball star is constantly hunted by two hitmen when a young boy asks him to sell his baseball jacket. A high school student acquires a sleep control device to help him with his exams, and ends up getting more acquainted with the seller in the process. A prison guard buys a guitar and plays one last song with a rock band after he finds out that his number has been called up… to be an executioner. An English tutor and amateur journalist investigating a murder case makes an offer to gain information on the involvement of … a once promising baseball star.GOOD DEAL is a woven tapestry of the interconnected lives of people striving through the day-to-day of contemporary Korean society. Quite a spectrum of themes are covered: romance, crime, sports, famly, work, and even Russian literature! As each of its characters seek to make a “deal” with another person to help them stay ahead or even stay alive, they find their interactions much more involved and complex than they first thought. Written and directed by Cho Kyuong-ho, the film mixes wickedly dark humor and sincere sentimentality through its interwoven yet still seamlessly linear style of storytelling.