神水宫是江湖中的传说，它从来不参与江湖纷争，亦没有人知道它的真身究竟在何处。近日来，武林帮派的各大帮主接连因为中了神水宫的天一神水之毒而命丧黄泉，一向风流倜傥的楚留香（狄龙 饰）则被误会为了神水宫的帮凶而遭到唾弃。为了洗清冤情，楚留香决定和李红袖等人调查事件的真相，在一番波折之后，楚留香总算得以打入了神水宫的内部，却发现这里的确是清静之地。原来，所有的命案都系楚留香昔日的好友无花和尚所为，然而，当楚留香想要离开神水宫将真相公之于众时，却遭到了神水宫主的拒绝，只因为楚留香得知了她有一私生女的秘密。

美丽的阿绿（渥美マリ渥美玛丽 饰）是一名努力上进的女模特，父亲庄介（玉川良一 饰）当年挪用公款入狱，出狱后整天周旋酒和女人之间，母亲离家出走。阿绿和大东服装公司的山崎社长（川津佑介 饰）相恋，山崎为了公司业绩，要求阿绿陪外国人睡觉，之后山崎在公司中的地位一跃而上。庄介用女儿的钱四处挥霍，被酒肆女老板仙人跳，假装女老板丈夫的黑社会勒索一百万。庄介求助山崎方解重围，阿绿则从此与有相同家庭背景的黑社会分子健次（田村亮 饰）相识。事后山崎却以一百万为借口要求阿绿再次卖身，阿绿的人生开始一团混乱……

this shocking sequel to TRUE STORY OF A WOMAN IN JAIL: SEX HELL, Mayumi (the tough inmate from the first film) emerges from solitary confinement to find an all-new gang of bullies picking on a meek, young female prisoner. Mayumi is now a much harder soul who takes no attitude from anyone, and she turns savage when the poor girl is enslaved by Yakuza! No one is safe as Mayumi takes down the entire jail in a sudden act of violent carnage.Nikkatsu turns the women-in-prison genre on its head yet again with TRUE STORY OF A WOMAN IN JAIL: CONTINUES. If you thought the first film was brutal, wait till you see what’s in store here! Bath house attacks, lesbian sex scenes, rapist prison guards, violent abortions and even a transgender inmate add to the exploitation fun!

Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)