这是一支来自韩国动画工作室도기코기 Doggie Corgi出品的超萌动画合集，动画以一只呆萌小柯基为主角，讲述它和朋友们在一起的日常，可爱的狗子们搭配可爱的画风，简直不要太萌！

一位落魄的原百老汇制片人跟一个“高级经济师”联手，吸引风险投资来排戏，以及如何搞砸这部叫《希特勒的春天》的戏，好让投资都进他们两个人的腰包。未曾想，那部“大话希特勒”版的闹剧大受欢迎，他们的计划也因此暴露，双双上了法庭。

哆基朴是一团小花狗的便便，它孤零零地诞生在乡村的黄泥地里，身体是圆圆的一团，有两颗黑眼睛，对这个世界充满了好奇，但是却无法走动，还被经过身边的小鸟、公鸡嫌弃，令它备受伤害，对自己的存在意义也产生了怀疑。风吹雨打，秋去冬来，远方飘来的落叶和马车上落下的泥土和哆基朴的短暂交流令它更深刻地认识生命，也让它向往能像天上星星一样闪亮。冬天终于过去，冰雪融化，哆基朴赫然发现身边长出一颗蒲公英幼苗，它终于不再孤单，也终于找到自己一生的价值……《哆基朴的天空》改编自韩国儿童文学家权正生的励志童话，也是一部质朴的粘土动画。

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb