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活泼开朗的杜小梦，为了送还皮夹子给失主——戴亚伦，因此耽误工作被老板开除了，戴亚伦知情后，觉得有些欠疚，又感于杜小梦孤儿的身世令人同情，请小梦在他的公司当职员，穷而有骨气的小梦毅然拒绝了戴亚伦的好意，几番波折，杜小梦在一个富豪人家，找到了看护工作，侍候的病人是工业巨子的遗孤——唐咏平，一个苍白少年，整天坐在轮椅上，个性孤僻而暴燥，小梦以爱心，和耐心，照顾咏平，两人相处十分融洽……

穷酸的瘾君子T从家中客厅穿过卧室门，却发现发现进到了另一个一模一样的客厅，T惊恐，认为遭遇鬼打墙，冷静之后T发现没有那么可怕，因为家里的大门依旧能通向外界，T开始研究这个奇怪的空间，并从中发现财源。

安娜怀疑自己与伴侣的感情可能并不像想象中那么真实，为了改善关系，她开始在一家神秘的研究所工作，这里专门负责挑拨或测试那些怨偶间是否真的存在过浪漫的爱情。

From filmmaker Victor Kossakovsky comes an epic, intimate and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction – and offer hope for survival and a way forward. Centering on a landscape project by the Italian architect Michele De Lucchi, Kossakovsky uses the circle to reflect on the rise and fall of civilisations, capturing breathtaking imagery from the temple ruins of Baalbek in Lebanon, dating back to AD 60, to the recent destruction of cities in Turkey following a 7.8 magnitude earthquake in early 2023. Rocks and stone connect the disparate societies, from ghostly monoliths stuck in the earth to tragic heaps of concrete rubble waiting to be hauled off and repurposed anew. Through Kossakovsky’s inquisitive lens, the grandeur and folly of humanity and its precarious relationship with nature posits the urgent question: How do we build, and how can we build better, before it’s too late?