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Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ?Cut Piece?, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ?Cut Piece? entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other.(source: Kristine Stiles,?Uncorrupted Joy: International Art Actions,? in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

A chaotic intervention. An action packed stay in rehab. After a weird couple of years, John Mulaney comes out swinging in his return to the stage.

在一个开幕典礼中，席中包括许多重要人物，和一只未受邀请的小白鲨，它由一个错误的海口进入了公园的湖里，然后死了，它那３５尺大的母鲨为了它的小孩，制造了前所未有的大恐惧……

史马哥（胡金铨 饰）是一名服装设计师，一天，他拿出了自己的得意作品，向妇科医生叶德梅（林黛 饰）征求意见，叶德梅并没有仔细的看过史马哥的作品，而是心不在焉的随口提出了批评的意见，这让史马哥感到非常的不满，在心中的小本本上记下了仇。一天，叶德梅准备出席一场盛大的宴会，于是找到了史马哥，请他帮自己设计礼服，这可让史马哥找到了报仇雪恨的机会，他故意设计了一件奇丑无比的小丑装，让叶德梅在宴会上颜面失尽。最终，史马哥意识到了自己这一行为的荒唐，选择向叶德梅道歉，两人也因此加深了对彼此的了解，渐渐越走越近坠入了爱河。